A year or two ago, someone challenged the famous curmudgeon Bookstooge to read Barbara Cartland. This was deliciously absurd, as Barbara Cartland is an incredibly prolific romance author from the last century, whose author picture, lest we forget it, looks like this.

These readalongs are supposed to happen in December.
In December 2024, Bookstooge and his 70,000 followers read Love Saves Day by Barbarba Cartland, which turned out to be essentially an unedited draft that was published after Cartland’s death by her children. Even so, the consensus was that we didn’t hate it as much as we expected to, and that for all its flaws, Cartland is a very professional hand at plotting.
This year, Bookstooge announced that the Cartland of choice was A Rainbow to Heaven. I purchased my copy, and everything was all ready to go. And then, after reading Chapter 3, Bookstooge bailed on us. He had his reasons. You can read them here.
But I am happy to tell you that I finished the book, and boy, did Bookstooge miss out because the plot really heats up after Chapter 3! Below, I will summarize chapter by chapter, and you will see what I saw, that Cartland has the touch when it comes to twists and turns.
And by the way, though this book was published in 1976, it is set in (and, according to the author’s note, written in) 1930.
Chapter 1
We meet Diana Headley, beautiful heiress whose father is a self-made man. We see her go to a party with the other “bright young people,” especially eligible society bachelor Hugo Dalk. We see that they are shallow, good-hearted snobs. We learn that Diana is a celebrity, whose picture is always appearing in magazines.
“I feel morbid,” she told Hugo brightly. “Let’s go and have a drink.”
p. 12
Chapter 2
Hugo proposes to Diana. She brushes him off. We get a little backstory about how this notorious playboy first got the bug for Diana.
Diana manages to get herself invited to the country home of Jack and Loelia Standish, a married couple whom she admires and who seem to represent some stability and kindness in her world. They have an estate called Huntsman’s House in the Malvern hills in Worcestershire. Jack mentions that he has an old army friend name Barry Dunbar who is “one of the most intellectual young men in Europe today.”
Chapter 3
Diana arrives at the beautiful, isolated and peaceful Huntsman’s House.
“So very, very pretty,” Loelia thought. “What a pity she leads such an aimless existence!”
p. 30
We hear more backstory about how Loelia came to marry Jack after a loveless first marriage to a man thirty-five years her senior. We hear how Jack, a sad, cynical soldier in WWI, met Barry Dunbar and was given hope and spiritual elevation by him. We learn that Barry has a project of retrieving obscure Hindu and Buddhist texts and getting them translated into English, and that Jack is helping him with funds.
Then we meet Barry himself. He is not impressed with Diana, and relates an incident in which he caught “three native boys” looking at a copy of Tatler, in which Diana appeared wearing a crazy costume that featured a bikini and top hat. Diana is embarrassed but tries to defend herself. Loelia is disappointed that Barry does not like Diana.
Chapter 4
Still at Huntsman’s House, we find that Barry has a way with both children and animals. Sitting in the morning room, intending to write a letter, Diana overhears a conversation between Jack and Barry. They discuss Barry’s travels, how great Buddhism is, and the need for a spiritual awakening in modern England, which apparently Barry’s Buddhist texts are going to catalyze. Jack presses Barry about whether he will ever marry. Barry admits to wanting a son, but doubts whether any woman could put up with his traveling lifestyle. He reiterates that he doesn’t find Diana attractive because her “mind is completely unused.”
The group walks to The Castle, a building on the Standishes’ land. They have fixed up a portion of it so guests can stay there. Eager to impress Barry, Diana asks for a copy of one of his books, and he lends her A Way. Diana finds it “extraordinarily beautiful,” but hard to understand.
Reflecting on the emptiness of her life of luxury, Diana returns to London, where she encounters her friends Cecil and Bebe,
a small vivacious blonde of her own age, who had startled London with her debut, and had continued to keep it considerably surprised ever since.
p. 51
Bebe and Cecil insist on Diana’s throwing a party, which they will organize. Hugo shows up and is disappointed that he can’t spend the evening with Diana alone.
Chapter 5
Diana and her large group of friends move from restaurant to theater to bar, drinking oceans of champagne and wasting lots of fine food which they can’t appreciate. Eventually, in the wee hours of the morning, Hugo brings Diana back to her London house. He wants to come in and “talk to her” (get an answer about his proposal), but she puts him off until tomorrow night.
Before going up to bed, Diana sees a light on in her father’s study and finds the body of her father, who has shot himself.
After the police are called and Diana’s brother Jimmy shows up, it is revealed that their father got into serious financial trouble and shot himself rather than declare bankruptcy. He was so active in the financial sphere that his ruin causes a crash, and causes many other people to lose their fortunes as well.
Chapter 6
There is a media frenzy making Diana’s father, Robert Headley, the villain. He is portrayed as intentionally looting the public, and luxuriousness of his house is exaggerated.
Quite normally decorated rooms were described as though they were treasure-houses of barbaric splendor.
p. 69
Diana and Jimmy lose everything, but the lawyer encourages Diana to keep her jewels, which she may be able to sell later. She assumes that Hugo will now not want to marry her. She boards a train and goes back to Huntsman’s House for a few days to get away from the publicity and to collect herself.
Chapter 7
Staying at the The Castle on Jack and Loelia’s property, Diana gets a letter from her brother Jimmy. He has taken a job at a garage, with the understanding that he will work under an assumed name so as not to damage the garage’s reputation. The other mechanics can tell that he’s upper-class, and they don’t respect him until he gets into a fight. Diana realizes that she does not have any marketable skills. Although she can ride horses, dance, and speaks several languages, she is not equipped to teach any of these things.
Barry catches her sitting outdoors, crying, and tells her that she still has “the only thing that matters … Courage.”
A friend of Diana’s finds a potential job her. She is to be a “companion” to the daughter of a socially climbing family called the Schnibers. This is quite a change for Diana, but she decides to take the job. Once in their home, she sees how Mrs. Schniber raises money and contributes to a lot of charities, but the wealthy patrons she is helping still don’t treat her with courtesy, much to her frustration.
The Schnibers go to Monte Carlo for the summer, and Diana accompanies them. At one point, she gets away from her duties to have supper with a nice young man whose eye she has caught. He reveals that he lost his fortune in the Headley Crash and will be starting work when he gets back to London. Diana excuses herself before he can realize who she is.
Also in Monte Carlo, the Schniber family bump into Hugo. Hugo is shocked to see Diana in reduced circumstances. He still seems to like her and want to get alone with her, but Mrs. Schniber has hopes that Hugo will pursue her own daughter.
Chapter 8
The Schnibers and Diana return to London. Diana sells her jewels to help her brother Jimmy pay off a debt that he became liable for while he was still at the university. Diana and Jimmy become closer, and each is impressed with the other’s resilience.
Diana encounters the young man from Monte Carlo, but this time he knows who she is and treats her coldly.
Diana goes to Huntsman’s House for the weekend, where she tells Jack and Loelia about her new job and begins to find it funny. She is happier than when she was wealthy. Jack admits to Loelia that he misjudged Diana.
Loelia and Diana discuss love, marriage, and Barry’s tragic backstory. Barry is unexpectedly also staying with the Standishes, and by the end of her weekend there, Diana has realized that she is in love with Barry. She is surprised by the intensity of this new sensation, and she feels more alive than she ever has.
Chapter 9
Diana goes back to working for the Schnibers in London. She remains obsessed with Barry. Hugo has continued to call at the Schnibers, and Mrs. Schniber has finally realized that his interest in is Diana.
While out shopping, Diana bumps into Loelia, who mentions in passing that Barry has joined a Buddhist monastery. Diana is devastated and moves through her days in a daze.
Mrs. Schniber notices the change in Diana and concludes that it is because she is wasting away with love for Hugo. She encourages Hugo to press his suit. He does, and Diana, feeling that nothing matters anymore, agrees to marry him.
Chapter 10
In the midst of preparations for her wedding, Diana hears that Barry is no longer at the Buddhist monastery. He spent only three months there as a monk in order to prove his seriousness and gain access to one of their priceless manuscripts. She flees London, leaving letters for Hugo and Mrs. Schniber, and winds up in a village that she picked essentially at random.
Diana spends a few months living with and working for a very poor young couple, Ted and Rose, who run a roadside garage and a small tea room. She is happy living in poverty and obscurity, but she is not eating well.
On a stormy night, Diana stays with Rose, who is in labor, while Ted goes off on his motorcycle to fetch the doctor. Ted crashes in the rain. Rose delivers a baby boy, and both she and Diana are hospitalized.
Diana has caught pneumonia from running around in the rain. In her fever, she continues raving about whether the doctor will come in time. The doctor can’t identify who Diana is from her possessions, but he finds her book A Way, which has “Huntsman’s House” written on the inside. He contacts Jack and Loelia, who bring Diana to recuperate at their home.
Chapter 11
Barry comes to visit, where he spends time with the thin and weak Diana. He tells her that he is going to go to his house, on an isolated island off the coast of Cornwall, to write a book. Diana decides to risk everything and pursue him there.
She manages to get Barry’s address out of Loelia, who admits, “Somehow … I’ve always felt that you and Barry would suit each other, even in the days when you were a very frivolous person.” (p. 150)
Diana hops on a train, charters a fishing boat, and manages to beat Barry to his house. It is beautiful, peaceful, and unique, with a vast ocean view and two Chinese servants. There, she announces to the shocked Barry that she is going to stay with him. After ascertaining that she is not planning a large, wild party, and that she is the only guest, Barry finally figures out that Diana is in love with him. He reciprocates. The two of them enter directly into Nirvana.
I didn’t think it was possible but now I feel bad for Hugo. Poor guy.
It does seem like you had a decent time with this. Better than me anyway, hahaha. I just couldn’t stand the shallow thinking that Buddhism was going to revitalize Britain.
I used the wiki page for the date, so put down the 30s date instead of the 70s one.
Did this feel any less “drafty” to you than Love Saves the Day? The couple of chapters I read felt exactly the same. So I wonder if this is just her style.
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Yes, Hugo turned out to be OK after all.
I was willing to give it a try for two reasons. One, in 1930, your average English romance novelist hadn’t had much opportunity to learn about Buddhism and find out what a nothingburger it was. Two, I was sort of intrigued by the “magic man” romantic hero, and wanted to see how Cartland would handle it. Now as it turned out, the story was much less about Barry and much more about Diana’s personal transformation when she goes from riches to rags.
As far as I can decipher from the inside cover of my copy, though the book was brought out in the 70s, it was indeed written in 1930. And the social milieu and the concerns are very late 1920s. That was part of what I enjoyed about it. In the world of this book, the class system and sexual mores of the 1800s are still basically in place. That makes it like visiting a foreign country. It gives the same vibes as early Agatha Christie, Dorothy Sayers, G.K. Chesterton, and P.G. Wodehouse.
Yes, I would say this is less drafty. All the plotlines are more fleshed out. I did not notice any typos or inconsistencies. I mean, it is told very simply, so I would say that’s her style.
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Thanks.
I am going to attempt this again at the end of ’26, so before I went diving in to find another book, I wanted to make sure her style wouldn’t be wildly different.
I got the date for this book from Wikipedia, so that shows they can’t be trusted. I’ll have to make sure I get things nailed down for the next one.
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I mean, who knows. Perhaps it was just the edition that I bought, that was brought out in the 1970s.
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