Why We Can’t Just Give Peace a Chance

Storytime.

When I was a kid, I attended a no-nukes protest.

It’s true. My dad was a Protestant pastor, and also sort of hippie about some things. No drug use or sleeping around, but he liked to live “simply” (for example, keeping his old coffee percolator), and around the time I was a baby, he had become a convinced pacifist. That is, he had become convinced based upon the Sermon on the Mount (mostly) that for Christians nowadays, it is never permissible to resist violence with violence. And this went for nations too. For him, principled pacisfism was part of following Jesus.

So here it was, the mid 1980s, late in the Cold War (though we did not know it was late at the time). A no-nukes protest had been planned in a downtown plaza in our large Midwestern city. I believe it was organized by the city’s churches, because among other people, my dad had been asked to sit in a panel onstage.

I was probably 9 or 10 years old. I was excited to go along. It seemed like a good thing. It was pretty clear to me that us, or anybody else, getting killed by nukes was a bad thing, something that we would not want to have happen. I had heard gruesome stories about people’s eyeballs being turned into jelly when the bomb was dropped (by us!) on Hiroshima. This was in a book that we had at home called Peace Be With You.

As the family artist, I made the sign for our protest. I tried to draw the symbol from the cover of Peace Be With You, a dove holding a branch in its beak. I had never drawn a dove before, and I got the beak wrong, so it came out looking more like a parrot.

I don’t remember all the content of the rally, but two things stand out. There was a play about a couple who survive a nuclear holocaust and live in a tent city, only to get radiation sickness. And, I remember the final song.

With the panel of pastors still seated on the stage, a lady came up to give a moving musical number. The first verse was about the Statue of Liberty and how she represents to many people that they have arrived in a place that is free from oppression. The second verse was about the cross of Christ, and how, to the Christian, it means liberty from sin, death, and hell. The refrain was “the Cross is my Statue of Liberty.”

Horribly blasphemous, of course. It was trying to compliment the greater by comparing it to the lesser, which actually reverses the roles of greater and lesser, unintentionally offering a huge insult to Christ.

As soon as he realized where the song was going, my dad abruptly got up from his seat on the stage behind the singer, stalked off the stage in a huff, and marched me and my brother out of there before the rally ended. I’m still proud of him for this. As someone said (I can’t find the reference, but I think it was Spurgeon), “Even a dog barks when its master is attacked.” Referring to himself defending the honor of Christ, however inarticulately.

I think what the organizers were trying to convey with that song was, “We are Christians, and don’t worry, even though we are against nukes we still definitely love our country.” But it was ill chosen.

Although I now think the whole event was incredibly naive, I commend my dad for attending it and for bringing his kids. Kids need to have experiences where they go fight for the right alongside their parents, even if the cause later turns out to have been somewhat misguided. This sends the message, “We have certain values as a family, these are important enough to do something about, my parents are good people” and, above all, “I and my parents are on the same side.” Please, give your kids many experiences like this before they become teenagers!

So, why naive? Well, I can’t blame myself for not noticing this as a kid, but why in the world did we think we were the only people who objected to the idea of a nuclear holocaust? Surely that is something that everyone recognizes is bad? (Except, perhaps, the mullahs, I digress.)

And given that we were not uniquely intelligent or good such that we were the only ones who didn’t like the idea of people being annihilated by a nuclear bomb, it would make sense to connect the next pair of dots (#s 2 and 3) and ask ourselves, since 99% of people don’t like nukes, how is it that they still exist? Could it be that, once you have a nuclear standoff, getting rid of nukes is more complicated than just “getting rid of them”? Perhaps there are people who also don’t want an apocalypse, but whose options are limited?

By the same token, perhaps there are more obstacles standing between humanity and the cessation of wars in general than just a dearth of people saying, “We don’t like war.” After all, most people don’t like wars, including most people who fight them.

But we, the anti-war protestors of the Cold War era, honestly, naively, conceitedly thought we were the only people in our country who saw a moral problem with human suffering. And we thought it would somehow stop if only we were to stand up and heroically say, “We are against this.”

It didn’t work. And not because not enough people were against it. It turns out, just saying that doesn’t do anything.

I’m sure my dad’s generation would say that these antiwar protests were ineffective because “our leaders didn’t listen.” “Listening,” in this context, would mean disarming our nukes and other WMDs, and perhaps completely disbanding our military. After all, if every country did this, peace would flow into the empty space where the weapons used to be. And someone has to go first! So it might as well be us! Someone has to give peace a chance.

This made sense to me at 10, especially when it was coming from respected authority figures. Once we grow up, however, we have a responsibility to ask ourselves what could possibly go wrong with this scenario. And the answer is: a lot. Everything.

War is, unfortunately, the default state of human beings. When we are not at war, it is because a lot of people are working very hard to maintain a precarious balance where things don’t tip into war. Fortunate are we who live in a country or empire large enough, or strong enough, that all that work has paid off and we get to go about our daily lives, assuming that peace is the natural state of things. But it isn’t. It is not the case that wars don’t happen unless some “war monger” goes out and “starts one.” That would be nice, but it’s not what we have here.

There are multiple reasons for this. Until recently, I thought it was sufficiently explained by human beings being sinful, and full of fears, lusts, and cravings. All of that is certainly a huge factor. We usually see wars explained as being caused by “fighting over scarce resources,” but I think that materialistic explanation is far from sufficient. Wars have not become less common as the worldwide standard of living has increased. I have also seen wars attributed to “religion.” There are a number of logical problems with this as well. To test this theory, you’d need a control group of humans who had either no religion, or no war. Since both war and religion are things that humans universally do, such a control group does not exist. To say that because both are universal, means one causes the other, is the post hoc fallacy.

So in general, I think the stubborn persistence of war is adequately explained by the Seven Deadly Sins: Envy, Greed, Lust, Sloth, Gluttony, Anger, and Pride. Especially Pride and Envy.

Say somebody hates you and wants to go to war with you because they are prideful and think their way of life is better, but also, at the same time, they envy some things about, tacitly acknowledging that in those respects, you are better than they are. Is such a person going to put down their weapons because you fold your hands and say, “Look. None of us like war. Let’s all mind our own business and disarm”? No, unfortunately, your enemy may not like war, but they hate you a lot more than they hate war. If they even recognize that you are taking the moral high ground, that is only going to exacerbate the wounded-pride-and-envy problem.

This is why fifty years of “anti-war” protests have done nothing but make the protestors look silly.

But it recently came to my attention that there may be an additional cause besides human sin that keeps stirring up wars in the world.

We need to expand our understanding of spiritual warfare to include the larger social and political structures of our world. Why does war bring ruin to the world? Why do we feel constantly on the verge of a new world war? … Why is peace, specifically the peace the permeates through the spread of the gospel, such a threat to world powers? The answer to these questions falls under the larger context of the unseen battle, a battle that has in mind the final unification of the nations of the world under the banner of Christ.

–Joel Muddamalle, The Unseen Battle, p. 120

Muddamalle is suggesting that the gods of the nations, who would prefer to go on ruling them, feel threatened by the spread of the Gospel and use geopolitical instability as one of their tools to slow this spread. (For more about these entities, see my review of Michael Heiser’s book.)

The idea is that human beings, while plenty fight-y on our own, would sometimes like to rest. But these spiritual entities will not let their people rest. They are hard at work, with demonic delight, stirring up, prolonging, and accelerating generations-long conflicts, to keep the Gospel of Christ out and also perhaps, as a side benefit, because they enjoy human suffering.

This certainly matches the picture of “the gods” that we get in, say, Greek mythology. People are bad enough on their own, but even when you have a majority of people who want to do the right thing, you will see that Fate, or the gods, or whatever, intervene so that exactly the wrong thing happens at exactly the wrong moment. The result: ten years of war.

Peace, it turns out, is not a passive, waterlike thing that flows in wherever a space is opened for it. It has to be established, like a fortress. It is the result of someone coming in, taking names, and routing the false gods. That someone is the Lord Jesus.

Sunshine Blogger Again

Just as the sun must come up every day, rain or shine, so I am cursed to plod forever through an endless treadmill of answering questions. The questions are ever the same, but on the plus side, my answers keep changing.

I wasn’t exactly “awarded” this tag, but I did see it on the blog of one Bookstooge, who closed his post with “You aren’t hardcore enough!”

I am so hardcore. But, as usual, Bookstooge, thanks for doing everything exactly like Puddleglum. Or Trumpkin.

Here’s the participation rules

  1. Display the award’s official logo somewhere on your blog
  2. Thank the person who nominated you
  3. Provide a link to your nominator’s blog
  4. Answer your nominator’s questions
  5. Nominate up to eleven bloggers
  6. Ask your nominees eleven questions
  7. Notify your nominees by commenting on their blogs

What’s your favorite book and why?

The Bible, because so many reasons, but among others, it’s got some really wild ancient history that you won’t find anywhere else. At least, you can find stuff elsewhere that’s sort of similar, but you won’t know which parts of it are true.

Can you share some obscure/unusual words you like to use when writing?

I like “interlocutor.” It means whoever the person in focus is speaking to. I also like “salient” and “equivocation.” But obviously, which fancy words are the most salient changes depending on the context of the writing.

When I’m writing narrative, I prefer to describe the action and people’s thoughts as simply as possible and let the actual events deliver the emotional impact.

Do you have pets (if yes, photos!)

Not anymore, sadly. Our last remaining rabbit passed just a few weeks ago. We (my son and I) hope to get another batch of chickens this summer, but standing between us and them is a large run-and-coop building project that, to me at the moment anyway, seems as intimidating as the Tower of Babel.

What brings you joy?

Beauty.

Landscapes, especially if I can paint them; beautiful folk clothing from around the world; beautiful items knitted or crocheted by myself or others; the simple, unforced beauty when your favorite mug is sitting on your favorite coaster and they match. The beauty of a plant: hens & chicks filling a planter, a Boston fern spilling towards the floor. Sunshine on my dining room walls. I love beautiful music, even though I’m not very gifted at it, which is no doubt a trial to the people around me.

I also love things that are beautiful even though they are ugly. “Brutalist” jewelry, that looks weathered, like it came through the apocalypse. Things that are painted, knitted, or sewn in unexpected colors, like browns and greys, or colors that you’d think would clash but then don’t. Stuff that looks worn or pieced together, like an old farm quilt. Well-told tragedies, like the recently reviewed story of Jason and Medea.

Here’s an example of a “brutalist” ring.

“All things counter, original, spare, strange;/Whatever is fickle, freckled (who knows how?)/With swift, slow; sweet, sour; adazzle, dim;/He fathers-forth whose beauty is past change/Praise Him.”

–Gerard Manley Hopkins

If there’s anything that can make you look forward to tomorrow, what would that be?

My husband and children.

Best vacation destination from your experience?

I have a whole bucket list of ancient sites I want to see, but that’s not what you’re asking about.

I have fond memories of a little cabin hut bungalow on a small island called Gili Air, off the coast of Lombok. Go out and snorkel in the morning, come back in the afternoon and sit on the porch and read. Look across the bay at sunset, and see the mountains of Bali looming out of the sea. Beach is not even my favorite setting, but boy that was one relaxing vacation.

Do you count steps?

What?

Favorite meal?

Fish and chips and coleslaw.

The last song you listened on repeat?

Hallelujah by Leonard Cohen.

I realize you all have been aware of this song for years, but I just heard it in its entirety a few months ago. Like probably every listener, I found it to be a stunning work of art and also kind of a puzzle, and I listened to it a couple of times in a row for several days until I felt I understood it. I’ll spare you my analysis, as I think volumes have already been written.

How many blogs do you have?

Just this one. I used to have a recipe blog and a book review blog, both on Blogger. I haven’t checked them in years and am not even sure if I could find them anymore.

But don’t forget to buy my books! And for goodness’ sake, please don’t return them. My publisher charges me when you do that. If you buy a hard copy and hate it, just burn it or send it to Goodwill or something.

What’s your favorite quote?

There are so many good ones, I can’t really pick a favorite. It goes in seasons with me. But for today, I’ll leave you with this one:

This is what the LORD says:
"Cursed is the one who trusts in man,/who depends on flesh for his strength/and whose heart turns away from the LORD./He will be like a bush in the wastelands;/he will not see prosperity when it comes./He will dwell in the parched places of the desert,/in a salt land where no one lives.
"But blessed is the man who trusts in the LORD,/whose confidence is in Him./He will be like a tree planted by the water/that sends out its roots by the stream./It does not fear when heat comes;/its leaves are always green./It has no worries in a year of drought/and never fails to bear fruit."
The heart is deceitful above all things/and beyond cure./Who can understand it?
Jeremiah 17:5 - 9

Now, my questions for you, Gentle Reader. These are inspired by our experience in grade school, where you were sure that you had to have a quick, permanent answer about your favorite color, animal, and favorite everything else ready to go. This is important! You never know when you might need to know this stuff! Answer with your first instinct and no cheating!

  1. What is your favorite brand of tractor?
  2. What is your favorite kind of cow?
  3. What is your favorite kind of chicken?
  4. Country or city?
  5. Ford or VW?
  6. Pickup truck or motor scooter?
  7. Star Wars or Star Trek?
  8. Beach or mountains?
  9. Sweet or savory?
  10. Sci-fi or fantasy?
  11. Favorite animal, domestic or wild, in your region or any other.

No Friend to This House is A Great Title

Like anybody who has ever encountered it, I have “issues” with the story of Jason and Medea.

In case you missed it, he sails off on the Argo to get the Golden Fleece. She is a witch, daughter of the king of Colchis, descendent of Helios, the sun god. Struck by Eros with an inordinate crush on Jason, she helps him accomplish all the tasks necessary to get the fleece and escape alive. He takes her with him on the Argo, and they crash around Greece, leaving a trail of bodies in their wake. Eventually, he throws her over for a younger model, a native Greek gal who is daughter of the king of Corinth. Medea takes a bloody and spectacular revenge, which I won’t spoil (look it up).

I first heard all this from my ninth-grade Lit teacher. She presented it in a very feminist way, but to be fair, this particular story sort of begs for that. I remember, in university, arguing rather incoherently with a male classmate about who was the real villain in this story. Later, when I was home schooling and read a simplified version of the legend to my kids, we decided we didn’t like the story, and we didn’t like Jason or Medea either, and they were both horrible people and they deserved each other.

So, hopefully, this book will be the nadir of my year of reading Greco-fiction: facing the story of Jason and Medea square on, by reading an entire novel about them.

The reason I liked the title of this novel is that it sounded like a phrase taken directly from the Greek — and so it was. The author, Natalie Haynes, has really done her homework.

Euripides’ Medea was the first Greek tragedy I saw performed, and it was the first or second play I read in Greek. … I wrote my dissertation on the heroics of infanticide in Euripides (I don’t have children, before you think about composing your sternly worded letter). … I’ve been reading and thinking about this play for the best part of thirty years, and I have probably seen it performed twenty-five times … I decided that the thing I needed to do [before writing the novel] was translate the Euripides, longhand. This is–in case you are wondering–weapons-grade procrastination. It took me a few weeks …

Haynes, in the Afterword, pp. 359 – 360

Haynes’ treatment of this story has been called feminist. And O.K. … sort of? But it’s not “feminist” in the sense of someone who understands the literature poorly who then reacts against the ancient heroic-age value system and sets out to undermine it. It is, rather, the work of someone who has marinated themselves in the ancient heroic-age mileu, which inherently presented a very broken relationship between men and women (especially husbands and wives). This story, and also the story of Agamemnon and Clytemnestra, bring a lot of tension with them and almost demand that you take what might be called a “feminist” perspective, at least in part, unless you want to take a very simplified view of the whole thing and not really analyze it much at all.

It’s not just me saying this. Apparently, everyone has been arguing about Medea for … well, ever since she came to their attention.

Diodorious Siculus says that the reason we have so many contradictory versions of her story is because tragic poets are drawn to talking about marvels. It’s also worth mentioning that any character who prompts different versions of their story is one who was popular in antiquity. If you want to read more about Medea, I spent many happy hours with “Medea,” a collection of essays edited by James J. Clauss …

ibid, pp. 365 – 366

Apparently, my and my children’s feeling that the whole story is regrettable is echoed by the Nurse of Jason and Medea’s two sons. Here is her opening monologue to the play (translated by Haynes):

If only the Argos had sunk to the bottom of the sea rather than winging its way towards the land of Colchis … For then my mistress Medea would not have sailed to the towers of Iolcus, stricken with love for Jason … and she wouldn’t live here, in Corinth, with her husband and children, pleasing the citizens to whose land she came in flight, helping Jason in everything. That is the greatest help: whenever a wife doesn’t disagree with her husband. But now, everything is hostile .. For Jason–betraying his own children and my mistress–is sharing his bed with royalty … Medea is wretched, dishonored like this. She cries out about the oaths he swore to her .. I’m afraid she is planning something. She’s a strange woman. No one starts a fight with her and takes an easy victory.

ibid, pp. 272 – 273

Successive phrases from this speech are used as chapter headings for the first 3/4 of the book.

I give this book 3 out of 4 stars. (Or 4 out of 5, take your pick.) The research, storytelling and psychology are spectacular. It gets tenser and more tragic towards the end. It is, of course, very hard to read, because this is a tragedy. The hardest parts to read, for me, were the parts where the Nurse speaks to the children. Even though it’s set in the ancient world, this is fundamentally a story about a home that gets broken when the children are very small. That’s hard to bear.

The one missing star? I needed more description.

This book consists almost entirely in monologues by the different characters (except for Jason), punctuated occasionally by dialogue. I guess that makes sense for a novel that is a re-telling of a play. But if I’m going to read a book set in the ancient Mediterranean, which includes a tour of the cities of Iolcus, Colchis, Aeaea (Circe’s island), and Corinth, not to mention the Aegean, Adriatic, and Black Seas, I want more than little hints and scraps about what these places look, sound, and smell like. I want to see the terrain, the buildings, and the clothes people wear. Haynes gives us almost none of that. We only get a little bit of description when it is directly relevant to a plot point, like the Symplegades (giant clashing rocks), or the golden dress that Medea gifts to Glauke. This is where Haynes falls short of Renault, who describes buildings, clothing, and artifacts in detail.

Also, there is almost zero description of how the people look. That’s important to me.

As for Jason, we are only told that he is “good-looking” until he meets Medea, when we find out that he has dark, curly hair and golden skin. This means that we have to go through the Argo’s entire outbound journey making up our own mental image of Jason, and then modify it when we find out what is canon in the novel. In the case of Jason, that may be intentional. Part of his characterization is that he is a chameleon, able to be the figure that people want in order to get what he wants; or, as Haynes puts it, “a blank space where a man ought to be.”

But there are plenty of other characters that Haynes could describe when we first meet them, and she doesn’t. What do the Colchians look like? They are “not Greek.” Do they look Asian? Or is Medea made of gold, like the children of Helios in the novel Circe? What do the different Argonauts look like? The Tutor? The Nurse? Haynes does a better job describing the various goddesses, women, nymphs, and the golden ram whose lives are also busted up by this story … but still, I could use more.

Gentle reader, you have survived the harrowing journey of the Argo with me. What horrible ancient Greek story should we read about next?

Misanthropic Quote: Appreciation or Appropriation?

We must lay it to the credit side of Rome that some of its generals could understand Polycleitus and Pheidias, Scopas and Praxiteles, even if they carried their appreciation to the point of robbery. Of all the spoils that Aemilius Paulus brought back from his victories over Perseus, he kept for himself only the library of the King, as a heritage for his children.

–Caesar and Christ, by Will Durant, p. 96

In other words, he didn’t just pick up on ideas, he literally stole the physical books.

Misanthropic Quote: Most Cliches in One Paragraph

Gardy was essentially convicted the day he was arrested, and his trial is only a formality. The dumb and desperate cops trumped up the charges and fabricated the evidence. The prosecutor knows this but has no spine and is up for reelection next year. The judge is asleep. The jurors are basically nice, simple people, wide-eyed at the process and ever so anxious to believe the lies their proud authorities are producing on the witness stand.

-from Rogue Lawyer, 2016, by a very lazy version of John Grisham

I’m thinking of having a little contest. Who can find a paragraph crammed with the greatest number of offensive, lazy cliches? This is my submission. This is only the second half of the paragraph, but even if I had included the first two sentences, I still think you’d be hard-pressed to find another piece of writing where not a single word is wasted on any original thought.

… and that is how revolution usually ends (Misanthropic Quote of the Week)

In 146 the cities of the Achaean League [in Greece] announced a war of liberation [from Rome]. Leaders of the poor seized control of the movement, freed and armed the slaves, declared a moratorium on debts, promised a redistribution of land, and added revolution to war. When the Romans under Mummius entered Greece they found a divided people and easily overcame the undisciplined Greek troops. Mummius burned Corinth, slew its males, sold its women and children into bondage, and carried nearly all its movable wealth and art to Rome. Greece and Macedon were made into a Roman province under a Roman governor; only Athens and Sparta were allowed to remain under their own laws. Greece disappeared from political history for two thousand years.

–Caesar and Christ, by Will Durant, pp. 86 – 87

Behold, Three Books

Hunting Time, a Colter Shaw Novel, by Jeffery Deaver.

By the way, it’s “hunting TIME,” not “HUNTing time.” The sense is not “time to hunt,” but “we don’t just save time, we hunt it down.”

This is a very professional modern thriller and the author has tons of blurbs on the back from other modern thriller writers. The plot was intricate, the pacing tense, and the characters were distinctive enough to keep them straight and give some emotional momentum to the story. There was also at least one major twist that I did not see coming, and that I really thought was clever.

Possibly the best-drawn “character” is the Midwestern city of Ferrington, the picture of urban blight but without the glamour of a big coastal city. Ferrington used to be an industrial capital, but then many industries left the city, leaving people out of work. Now the place seems to be nothing but drugs, crime, and despair. There are lot of chain-link-fence-surrounded empty lots filled with trash, long streets full of abandoned warehouses, and there is a badly polluted river. The ugliness of the scenes described rises to the level of beauty. The cops are corrupt in some cases and spread too thin in others. I think the name Ferrington is supposed to remind us of Ferguson, Missouri, and this is where we start to get into the book’s flaws.

Though Deaver mostly sticks to the story, when laying his scenes he makes sure to get in occasional digs at the reader. Bigots are everywhere. Trans is good, gay is good. We capitalize Black but not white. Stuff like that. Oh, and of course, capitalists are the one who ruined Ferrington in the first place.

My other issue with this book is the female characters. They’re not terrible, but … but … well. They are just missing a certain je-ne-sais-quois. For example, one of the point of view characters is a woman, Allison Parker. Deaver uses third person limited with her and with Colter Shaw, the sleuth. When we are inside Allison’s point of view, he frequently calls her Parker. That is just a bit confusing. It makes it sound like there is another person in the room. I am pretty sure that most women don’t think of themselves by their last name. Although maybe men do. Which is really the problem: All Deaver’s “female” characters (he has three main ones in this book) think more like men. Allison Parker is an engineering genius, very organized, very no-nonsense. Her daughter Hannah is a math genius, also no-nonsense. Sonja Nilsson is a former military operative (you guessed it, no-nonsense!) who is willing to sleep with Shaw after having known him for a day or two.

This is not a problem with Deaver alone. Many, many female authors write “male” characters who think and talk like women. It’s just awfully difficult to get into the head of the opposite sex.

Finally, there are occasional little things that made me scratch my head. “Seahorses can be sensuous.” (They can?) “Five-high.” (It’s high-five.) Nilsson lost forty pounds, and kept it off, in order to go into witness protection. (Oh, I didn’t realize it was that easy. Especially since she left the military at the same time! But, as we all know, the only thing keeping fat people from losing weight is the want-to. Eye roll)

Due to all these little flaws, and because the reveal of the villain was less satisfying than I had hoped, I give this book three out of five stars.

Tomb of the Golden Bird, by Elizabeth Peters

This was pure fun.

The Emersons are a family of British Egyptologists. Emerson, “Father of Curses,” the paterfamilias, is married to Amelia Peabody, whom he calls “Peabody.” This hot couple began their Egyptian adventures back in the Victorian era, but now it is 1922. Their grown son, nicknamed Ramses, is married and has children, and the Emersons have a large, motley household of employees, longtime family friends, relatives, and adoptees, both Egyptian and British. They have returned to Luxor, Egypt, for yet another season of digging. Of course, there are going to be capers, skullduggery, and so forth, and all the Emersons will be involved up to their elbows. Will they be deceived by Emerson’s half-brother Sethos? Will they foil an international plot? Most importantly, will they ever get a peek into the intact tomb that was discovered–technically, by Emerson–and is now being opened by the odious Carter?

This series is exquisitely researched. About 60% of the story is told in the first person by Amelia Peabody, in near-perfect late Victorian/Edwardian language. Scattered everywhere are gems like this one:

… I identified several other [party] guests as journalists. I can always spot them by the bulges in their coat pockets which indicate the presence of notebooks, and by their predatory looks. Messieurs Bradstreet of the New York Times and Bancroft of the Daily Mail were known to me personally (through no fault of mine).

p. 241

The other 40% of the story is told in third person from the point of view of Ramses, who is a quieter character than his colorful parents, but it also includes gems:

He had thought of several innocent explanations for David’s behavior, including the one he had given. It was understandable that [David] might feel the need to be alone; the family en masse or individually could be wearing.

p. 254

I originally came to this series hoping for ancient Egyptian mystical mysteries. It’s not that. It’s more of a romp. Much of this book felt like following the Keystone Cops, but eventually there did turn out to be some twists that gave the whole plot shape and direction. Four out of five stars.

Matchingmaking for Psychopaths, by Tasha Coryell

I picked this up off the New Books shelf at the library. Perhaps I should have left it there, based on the title, but I had read the first few pages and found them engaging. Alas, I returned the book without finishing it. I would have liked there to be at least one main character who I was sure wasn’t a psychopath. A little psychopathology goes a long way.

When I returned the book, the librarian giggled and said, “Oh, that one was silly.” It was indeed silly. But silly and serial murder don’t mix well. At least not for me.

Well, hello, everyone!

I’m not sure what happened, but for some reason, on Tuesday this week Out of Babel Books got more than 400 views. That is about 3000% more than my usual 14. Most of these views were from the United States.

I don’t know whether to thank you all for visiting, or grumble that you’re going to wreck my stats. (No matter how good of a day I have after this, it will look like views are down dramatically.)

I think I’ll go with Thank You. I am so glad you visited Out of Babel. I hope you found what you were looking for. I hope you were all peoples and not botses. I hope you will all buy my books and leave breathless reviews… (O.K., no need to get greedy …)

Cheers! Have a great weekend!