Egyptian Red Hair

Photo by Alex Azabache on Pexels.com

This is my second post about non-stereotypical hair. See my first one here.

If I were to ask you to draw an Ancient Egyptian, you would probably draw someone with gold, reddish, or dark skin, long dark eyes, and black hair. Red hair would probably not appear in your drawing. However, there has been a red-haired strain in Egyptian genetics apparently from time immemorial.

Ramses II, 90 years old when he died, was tall, thin, and by the time of his death he was stooped and had a tooth abscess. He also had red-gold hair. “Specialists who examined the strands under a microscope found that it had been dyed with henna and in all likelihood had been auburn in Ramses’ youth” (Time-Life, p. 153). Tall, thin, red-haired and hook-nosed, Ramses II does not match my mental picture of a typical Egyptian.

But he is not the only one. A number of red-haired Egyptian mummies have been found. Archaeologists used to assume that the hair was once dark and had been bleached out by the embalming process. But a recent study treated hair samples with the natron salts similar to those the Egyptians used, and found that the process did not change the color of the hair. Apparently these were actually redheads.

When I was taught Egyptian mythology in school, I was told that Seth, the villain of the story of Isis and Osiris, was red-haired. He was also Osiris’ brother. I found this intriguing, and it reminded me of the Semitic story of Jacob and Esau, who were twins one of whom was a dark-haired (?), “smooth” man, and one of whom was “hairy” and “red.”

Now I find out that Seth, as his legend later developed, was a trickster god, usually portrayed as a composite of different animals, with red hair or fur. Also, red was a symbolic color that could represent vitality or anger (no surprise there). So it’s possible that Seth was an entirely invented character and that his unusual hair color was picked to match his personality and symbolism. But, since this is an ancient origin myth, I can’t shake the possibility that there once was actually a founding pair of brothers, one of whom was dark-haired and one of whom was red. (Also, shades of the original Thor, a quick-tempered, red-haired, trickster god!)

If Red Hair is Native to Egypt, Does This Mean that Ancient Egyptians were Indo-Europeans?

No.

It just means that, as for most people groups worldwide, their genetics were more complex than the layperson would first imagine.

The ethnicity of the ancient Egyptians has been a hugely contested topic. Their civilization is so intriguing that everyone wants to claim them. Eurocentrists have tried to claim that the Egyptians were actually “Mediterranean” (specifically the Hellenistic, European-style Mediterranean), because this supports their dogma that Europeans have been the only source of civilization and there has never been a high civilization to come out of Africa. Afrocentrists have countered by claiming the ancient Egyptians were not only not white, but were truly black, the ancestors of the modern-day sub-Saharan Africans. The world’s first high civilizations were African, and everyone else has stolen their ideas!

Both groups are wrong about the ethnicity of the ancient Egyptians. Genetic studies of mummies are difficult to do, and this is truer the older the mummies are, but so far, they have concluded that Egyptians have more or less always been … Egyptian. Uniquely themselves, more closely related to the peoples of the Levant than to any others, and genetically, more or less just like the Egyptians of today.

Also, Could We Stop the Tug-of-War?

And may I just add, this is stupid, human race? Could we please (and when I say we, I mean you, human race) stop all this “I started civilization” “No, I did”?

First of all, Egypt was not the world’s first civilization. Contemporary with them, we have the Sumerians, who though they did not live in Africa were probably also black, and the little-known Balkan civilization that gave us the Vinca signs. And there are good indications that many civilizations existed just as advanced as, and prior to, these. See all my posts about The Lost Civilizations of the Stone Age by Richard Rudgley.

The Afrocentrists are closer to being right than the Eurocentrists. Arthur C. Custance makes the case,

One does not think of Africa as particularly inventive. As a matter of fact, however, so many new things came from that great continent during Roman times that they had a proverb, “Ex Africa semper aliquid,” which freely translated means, “There is always something new coming out of Africa.”

It is true to say that whatever inventiveness [Indo-Europeans] have shown in the past three or four centuries has almost always resulted from stimulation from non-Indo-Europeans. Our chief glory has been the ability to improve upon and perfect the inventions of others, often to such an extent that they appear to be original developments … [I]t does not seem proper to call a people “inventive” who once in a while do invent something, but who 99% of the time merely adapt the inventions of others to new ends.

Custance, Noah’s Three Sons, pp. 199, 215

That said, the idea that any one nationality can claim to have founded civilization is … stupid, human race. Human beings are really smart and civilization springs up wherever they go. Lots of people have invented civilization, many times.

(Furthermore, even if your ancestors did build the Parthenon or the Pyramids or Notre Dame, you didn’t build them personally, did you? Do you really want to start taking credit for amazing stuff that people who share your genetics did 3,000 years ago? Are you also going to take credit for all the atrocities they committed? Human race, you are too smart for this stupid idea.)

Egyptian Red Hair Makes an Appearance in The Long Guest

Nimri, the anti-hero of my novel The Long Guest, is a Cushite, who per Genesis is related to “Egypt.” Mid-novel, after being separated from his own people and dragged off on a journey over the Asia steppes, he observes some red-haired Indo-Europeans.

When I first saw that redhaired fellow I was reminded of my relative Mizra.  He had red –gold hair and bright burnished skin like my own – only even more ruddy, just a shade darker than his hair.  He was tall and thin, with a long thin arrogant face.  Between that and his unusual coloring, he was a very striking-looking man.  He used to stalk around the architects’ complex like a very god … how we all admired him, and wanted to be like him!  But no one could compare to Mizra. 

The Long Guest, Chapter 13

The Hebrew word for Egypt is Mizraim, which is actually plural: “Egypts.” Rather than making Nimri’s relative’s name plural, I have simply called him Mizra.

Nimri never manages to tell anyone about Mizra, because he cannot yet communicate at this stage in the story. But I can tell you. In case you didn’t know, I’ll whisper it in your ear: Some Egyptians had red hair.

Sources

Color (iwen)” Ancient Egypt: the Mythology

Custance, Arthur C. Noah’s Three Sons, The Doorway Papers series vol. 1, Zondervan, 1975. pp. 155 – 216 discuss “The [Technological] Inventiveness of the Hamitic Peoples.” Or you can read the chapter here.

“Isis: Egyptian Goddess,” Britannica.

New Research Shows that Some Ancient Egyptians were Naturally Fair-Haired,” Ancient Origins, 2 May 2016

Perry, Philip. “Were the ancient Egyptians black or white? Scientists now know,” Big Think, June 11, 2017

Ramses II: Magnificence on the Nile, by the editors of Time-Life books, Time-Life Books, Alexandria, Virginia, 1993. p. 153 shows the red-gold hair on the mummy of Ramses II.

Schuenemann, Verena J., et. al., “Ancient Egyptian mummy genomes suggest an increase of Sub-Saharan African ancestry in post-Roman periods,” Nature.com, 30 May 2017. This is the study that the Big Think article is summarizing.

“Seth: Egyptian God,” Britannica.

A Review, A Reaction, & A Chuckle over The Fourth Turning

The Big Idea

The gist of this book is that history moves in seasonal cycles. The authors spend a lot of time talking about how expecting seasonal cycles in history is the wisdom of the ancients, and that this has been lost to a linear conception of time that came from Christianity and got even more exaggerated during the Enlightenment. Linear time leads people to expect that things will just keep getting “more so;” that the future will look like an extrapolation of the recent past. As a result, people never expect a turn of history coming, and are always gobsmacked when it arrives.

As they urge readers to accept a cyclical view of history, the authors go slightly overboard and make it sound as if we should worship the circle. They point out circular symbolism in various myths. They say that a cycle is associated with the number four and feminine energy, whereas a line, or triangle, is associated with the number three and masculine energy. While this is not wrong, they then make it sound as if the idea of history as a line, moving in a particular direction, should be rejected and has nothing to offer us.

It’s not a big part of the book, but it is foundational and I found myself trying to integrate their view before I moved forward.

Should We Worship the Circle?

I believe that much of the symbolism they describe is correct. (Not all of it is, since the authors tend to cast a really wide net throughout history and literature, and then throw into the book anything they drag in that looks superficially similar to their thesis. But much of it is.) Seeing history as inescapably circular is an ancient, pagan way to view the world. And it does reflect something about the nature of humans and of creation. However, uncorrected, it tends to leave people fatalistic and trapped in the cycle. Exhibit A would be Hinduism. Christianity did indeed break people out of this endless treadmill by presenting a picture of history where the end is not like the beginning, where history moves in a definite arc or story from creation to fall to redemption to glorification. Of the many things that Christ did on the Cross, He broke us out of the endless cycle. That is why history fundamentally changed after His death and resurrection. You get different types of people, who think in different types of ways, and you get cultures that are Christianized developing in very different ways than any culture before them. Of course, one downstream effect of all this was that it made possible the Enlightenment, materialism, and what C.S. Lewis calls “the fatal serialism of the modern imagination.” These things aren’t good, but to put this in perspective, blaming them on Christianity is sort of like blaming your parents because you scraped your knee while you were on a trip that they took you on to Disneyworld.

Here’s how G.K. Chesterton put it:

As we have taken the circle as the symbol of reason and madness, we may very well take the cross as the symbol at once of mystery and of health. Buddhism is centripetal, but Christianity is centrifugal: it breaks out. For the circle is perfect and infinite in its nature; but is fixed forever in size; it can never be larger or smaller. But the cross, though it has at its heart a collision and a contradiction, can extend its four arms forever without altering its shape. Because it has a paradox at its centre it can grow without changing. The circle returns upon itself and is bound. The cross opens its arms to the four winds; it is a signpost for free travelers.

–Orthodoxy, p. 32

So, yeah. Although in the big picture, history is linear, cycles of development do still exist, both in human lives and in human societies, and we would do well to remember that and work within our nature.

The Seasons of a Saeculum

Briefly, they assert that history moves in cycles of just over or just under 100 years. These, they call a saeculum, following the Roman word for it. The seasons are:

  • Spring / A High: A time of building, strong families, and strong social cohesion
  • Summer / An Awakening: A time of spiritual revolution led by idealistic young people
  • Autumn / An Unraveling: A time when the values of the Awakening are applied to changing society, and things start to fragment
  • Winter / A Crisis: A time when the society is threatened by a series of shocks that often include war

(Fun fact, if you are into personality typologies, you can also make these seasons match the Four Humors: Sanguine, Choleric, Phlegmatic, Melancholic.)

Each season takes roughly 20 to 25 years. Each one causes the next.

The authors also identify four generational “personalities.” The personality of each generation is determined based upon their experiences in childhood and young adulthood. In what conditions did they grow up, and when did they come of age?

  • If you came of age during a Crisis, your generation is the Hero type: the can-do ones, prone to hubris.
  • If you came of age during a High, your generation is the Artist type: passive and conformist.
  • If you came of age during an Awakening, your generation is the Prophet type: fiery and moralistic.
  • If you came of age during an Unraveling, your generation is the Nomad type: neglected and cynical survivors.

Armed with these thought tools, you can now make applications.

The Applications

I appreciate the authors for not claiming too much for their rubric. First of all, they point out that these cycles are not precise in the time they arrive. This is an organic cycle, like the seasons. Some years, you might have a cool summer or a mild winter. Sometimes, seasons are delayed beyond what is usual. For example, the authors have a series of detailed charts in which they apply this rubric to American history. They say that during the Civil War, the Crisis came fast and didn’t last the usual 20 years. As a result, the cycle was shorter. That saeculum skipped the Hero generation. It went straight to the Artist generation of traumatized conformists.

Another helpful thing they say is that this year-like cycle in human history does not cause random events. There is still such a thing as chance, and as human will. However, a society’s reaction to events is heavily influenced by what season they are in. The United States did not immediately enter WWI after the sinking of the Lusitania, because we were in an Unraveling period. But we did immediately mobilize for war after the attack on Pearl Harbor, because we were now in a Crisis.

Finally, this cycle of history is not equally prominent in all societies. Because it has to do with changes in public attitudes, fashions, values, and child-rearing practices, in very traditional societies the cycle is muted. One generation is much like the last. When a society throws off tradition and allows its citizens a lot of social mobility and freedom to make their own choices, ironically that is when the cycle becomes a large factor in that nation’s history. It is for this reason, say the authors, that these seasons are particularly easy to spot in the United States.

It can be difficult to spot seasons of history in past societies (beyond speculation) when we know relatively little about them. Sometimes it’s pretty clear, as when we look at the cycle of idolatry-oppression by enemies-repentance-deliverance found in the book of Judges. We can also find many historic diatribes (probably written during an Unraveling) lamenting the loss of civic virtues.

O.K., so, with those caveats, if you are an American, you have probably been applying this rubric to the last hundred years in our country, which is super easy to do. Here we go:

  • Crisis: Wall Street Crash of Oct. 1929 through the end of WWII. Coming of age: the Great Generation, or what the authors call the G.I. Generation.
  • High: Late 1940s to early 1960s. Coming of age: the Silent generation. Beatniks.
  • Awakening: the “Consciousness Revolution,” late 1960s to early 1980s. Coming of age: the now-much-maligned Boomers. Hippies.
  • Unraveling: late 1980s to early 2000s. Coming of age: Generation X, or what the authors calls 13ers. Slackers.

The Great Generation are Heroes, the Silent are Artists, the Boomers are Prophets, and the Xers are Nomads. Tag yourself. I’m an Xer.

When It Doesn’t Fit Exactly

Now, how do we define a “generation”? It usually works out that once every 20 to 25 years, there is an identifiable new crop of young people. Hero and Prophet generations tend to be bigger, because of what’s going on around the time they are born. Hence, the Baby Boomers are Prophets. Artist and Nomad generations tend to be smaller, because they were born during a time when adults had other things on their minds (the Crisis or the Awakening).

Also, of course, the generations in a nation don’t necessarily fit with the generations in a given family. The authors point out that, often, it takes one big generation more than 20 to 25 years to reproduce, so that, for example, the children of Heroes are Prophets. The Prophets react against what their parents’ generation valued, but they get along better with their grandparents (also Prophets).

Here’s another example. My parents are Boomers. Now, the Boomer culture was rather anti-baby, anti-family, anti-settling down. However, my folks were not typical Boomers. They swam against the tide. They had six children, and my mom stayed home with us when we were small. They tried to raise us in a very pro-family way. So I was shielded from many of the things that my fellow Gen Xers had to deal with, growing up in an environment where kids were considered to “trap” their mothers, or with parents who divorced or went off to “find themselves.” However, I did pick up on the Gen Xer vibe of living in an unravelling society, being blamed for everything from racism to pollution to the hole in the ozone layer. When I read this line,

[O]ne student mockingly tells his friends in River’s Edge: “You young people are a disgrace to all living things, to plants even. You shouldn’t even be seen in the same room as a cactus.”

-p. 195

… I laughed. The fact that I found this funny, tells me that I am a true Gen Xer.

So anyway, I am a younger Xer. But because my parents had a large family, I have younger siblings who are Millennials (supposed to be the Hero generation; more on this later). Meanwhile, my husband’s parents are Silent generation (Artists). My husband has older siblings who are Boomers, and he is an older Xer. And because we waited a while to have children, our own children are … I guess … Zoomers? Who are supposed to be Artists? Or maybe Alphas? Who … I’m not sure what they should be, because this Crisis seems to be extending. Again, more on this later.

The Predictions, Accurate and Otherwise

The Fourth Turning, published in 1997, predicted that beginning around or shortly before 2005, America would enter a Crisis. There were a variety of things they thought could happen:

  • States secede or try to secede over federal taxes, causing a Constitutional crisis
  • “A global terrorist group blows up an aircraft and announces it possesses portable nuclear weapons.”
  • A government budget crisis leads to a government shutdown and a Wall Street crash.
  • A “new communicable virus” leads to quarantine, which local areas resist, leading to martial law.
  • War with Russia and Iran.

All these are taken from pages 272 – 273 of the book.

So where are we at now? Something that takes 25 years of your life might be too big to see, but I suggest the following. America’s Crisis era started on Sept. 11, 2001, with an unprecedented kind of terrorist attack, which led to big curtailments of freedom like the Patriot Act and the creation of the TSA, and to a number of wars. Then we had a housing market crash and financial crisis in 2008. Meanwhile, there were a series of incidents that, helped by agitators, caused riots in our cities. Police departments responded by being less active, and crime soared. People started to get freaked out, which led to the election of 2016 (nations tend to turn to a “strongman” in a crisis), which caused more people to freak out. The Crisis reached its climax in 2020 – 2022, with you-know-what.

So counting from Sept. 11, 2001, we are almost exactly 25 years into this Crisis era. According to the authors’ rubric of how these seasons usually go, we should be coming out of our Crisis soon, into either a new High with regenerated values, prosperity, and social order, or else into the total destruction of our society.

Which one do you think is happening? For me, I’m not sure. I see elements of people building new values and communities, but I don’t see any national consensus on these things. Nor do I particularly see signs of the Crisis ending.

To prepare for the Fourth Turning, the authors in 1997 recommended that individuals and families do the following:

  • “Return to the classic virtues.”
  • “Do not isolate yourself from community affairs.”
  • “Build personal relationships of all kinds. Face-to-face contacts … will become newly important.”
  • “Prepare yourself and your children for teamwork.”
  • “Maintain relationships of trust with your extended family … your household will function best if it is multigenerational.”
  • “Gird for the weakening collapse of public support mechanisms.”
  • “Generalists with survival know-how will have the edge over specialists who skills are useful only in an undamaged environment.”

These are all taken from pp. 318 – 321 of The Fourth Turning.

These are steps that are being, and have been, taken by many who think of themselves as preppers. and by people who are working and hoping for a cultural renaissance. I’m most familiar with those who are doing this within Christian circles.

The only blind spot that the authors seem to have is that they incurably think of the “teamwork” and “coming together” that must take place during a Crisis, as a national affair. They say “we” while thinking primarily of the national government. In the section on “preparing your children for teamwork,” they suggest not pulling your children out of government schools “if the schools are working.” While I have seen many people doing community building throughout this crisis, one thing I have not seen is a newfound trust in, or willingness to comply with, the federal or even in most cases the local governments. People have been coming together in “teams” to found and maintain private schools and other things like that, but not to join federal programs.

O.K., now for the predictions that didn’t prove to be so prescient.

Any book that makes this many predictions (even in general terms) is going to result in some howlers. For example, here’s the authors’ prediction about how the Silent generation would handle Social Security entitlements:

… America’s rising familiarity with the Silent elder persona will erode today’s support for across-the-board senior benefits. Unlike G.I.s, the Silent will not feel entitled. Their prior public deeds will not inspire them (or others) to lobby for a vast elder reward. … [The Silent’s] sense of guilt and instinct for compromise will compel them to give in some, relax their claims on young workers, and drain the electricity out of the third rail of Social Security politics.

— ibid, pp. 220 – 221

This — how to put it?– emphatically did not happen. I have heard with my own ears Silent generation members say, “We paid into the system for a lot of years. Now we need to get out of it.” When you set up a Ponzi scheme, no one wants to be left holding even a little bit of the bag.

They make a similar prediction about Boomers:

When the market hits bottom, millions of Boomers … will immediately have to make do with steeply diminished material consumption. Many will have no choice but to live communally or with their adult children… public spending on elder benefits will necessarily decline. … Congresses will debate massive cuts. To maintain G.I.-style elder dependence on the young, Boomers would have to wage political war on their coming-of-age Millennial children. It is a war they will not wage–and would not win if they did.

ibid, p. 284

Now, the retirement age has been raised, but other than that, I have not noticed any “massive cuts.” And from my observation, Boomers as a group have been perfectly happy to wage political war on Millennials. And they have won it, by convincing Millennials that the solution to their financial woes is more taxes and entitlements, not just for older people but for everyone.

I have not noticed a trend of Boomers moving in with their adult children, either. In the first place, they, not their children, are usually the ones who own homes, a situation brought about by entitlement policy applied to housing. In the second place, their children are often alienated Xers, and relationship isn’t the greatest (present company excepted). Finally, some Boomers I know are effectively the caregivers for their grandchildren.

In short, the collapse of the Social Security/Medicare system has come about more slowly than Strauss & Howe (or, frankly, I) expected. As an Xer, I did not expect to be able to retire, and maybe I still won’t, but my husband is approaching the age when he can start withdrawals to give us some breathing room, and there has not yet been a nationwide apocalypse. Color me surprised.

One more howler:

As they break into their twenties, Millennials will already be accustomed to meeting and beating adult expectations. Basking in praise… they will seek out [their elders’] advice … Every youth domain will become more mannerly, civic-spirited, and emotionally placid. In college, Millennials will lead a renaissance in student decorum and appearance, making profanity as out of date as the backward cap. … On the job, Millennials will be seekers of order and harmony. They will delight employers with their skills, work habits, and institutional loyalties. … Millennials will respond [to economic hard times] with a cheerful patience reminiscent of Depression-era G.I.s.

ibid, pp. 293 – 294

Look, I’m not here to slam on Millennials. I actually have a lot of sympathy for your generation. But there is no way this general picture describes the way things have gone with the Millennial generation.

Strauss & Howe are predicting that the Millennials will emerge as a Hero generation, because that’s what his historical scheme calls for. But this requires a lot more strength and resilience than Millennials, as a group, entered young adulthood possessing.

The authors did not foresee that Millennials would have been intentionally weakened by a number of cultural trends which were pushed on them by earlier generations. These include behavioral meds, and overpraising/participation trophy culture combined with identity politics culture, which gave complimentary messages that, on the one hand, you are so amazing and talented and don’t need to work to improve yourself, and on the other hand, you are a victim of history and society. Each of these messages is weakening; in combination, they are devastating. There is also the horrible sexual confusion that has been foisted upon the Millennial and Zoomer generations. This draws on the power of identity politics (being a sexual minority is an easy way to obtain an oppressed identity), and on the behavioral meds culture (giving powerful new medications in response to emotional distress).

What generation could emerge from such a gauntlet unscathed? It is no exaggeration to compare all these horrors to WWI, which wiped out a generation of young people and traumatized the survivors. These are not conditions that cause young people to “meet and beat adult expectations” in the positive sense, nor to “delight their employers.”

Perhaps Millennials are a Hero Generation in a new sense. If they are functional at all, it’s because they have won through an intense spiritual war. Perhaps we should think of them as veterans. Like veterans, they certainly bear mental and physical scars. But instead of coming back from a physical war and plugging into an existing social structure, they are having to re-invent the wheel in all the most basic domains of life: schedules, self-care, family.

And quite a few Millennials are a “Hero Generation,” itching for action, in the sense that they are committed Marxists who want to see the violent overthrow of society.

Others, like my younger siblings, are more like the G.I. generation after WWII, eager to get married, raise children, contribute to their communities, and build a wholesome cultural high.

The fact that we have Millennials going in these two very different directions makes me rather uncertain about how this Crisis is going to go.

I wonder whether what we have seen is what the author predicted on page 302:

If [the Crisis] ends badly, Millennials would bear the full burden of its consequence throughout their adult lives. If they come of age traumatized, like the Progressive youths of the Civil War, Millennials will thereafter attend to the details of suffering and healing as heirs to the Artist archetype.

It seems to me that our Millennials are behaving more like a “sensitive Artist” generation than like a “hubristic Hero” generation. This would mean that, as with the Civil War, America had once again skipped the Hero generation and gone straight to Artist.

The Prophet, born in the High, seeks vision; the Nomad, born in the Awakening, seeks realism; the Hero, born in the Unraveling, seeks power; and the Artist, born in the (prior or current) Crisis, seeks empathy.

p. 322

Reader, I Read-ed It

So, that’s the outlines of the book plus a few of my thoughts on it. Obviously, there is a lot more material in there. Some of it is really interesting (the parts that apply the seasonal rubric to the past). Other parts feel dated (ironically, the parts written in the future tense). Read it if you’re curious and want to know more. Meanwhile, what do you think? What generation are you? What do you want to do in the coming High?

The Unseen Battle — Are You In?

This review will be short and not very comprehensive. Why don’t I have time for a longer review? Because I’m in a fierce battle. Heh.

A few years ago, I reviewed Michael Heiser’s book The Unseen Realm.

The Unseen Realm is a scholarly book about the concept of the divine council in Ancient Near Eastern cosmology, especially in Ugarit, which was a near neighbor of Israel both geographically, culturally, and linguistically. Heiser finds this concept of the divine council assumed in the Hebrew Scriptures, similar to how the heliocentric model of the solar system is assumed in anything you see written since Copernicus. That is, it’s never stated or described directly, but it is referenced in many stories, phrases, and figures of speech, and is openly the setting for certain passages, such as Psalm 82.

The idea behind “the divine council” is that there is a Most High God (the Creator) who rules the earth with the help of a sort of committee of divine beings (elohim). This committee is traditionally conceived of as meeting on a high mountain, in a garden setting, often a place that is the source of rivers. Or as Ps. 82 calls it, “the great assembly.”

Heiser spends most of his book establishing that this view is present in Scripture.

After reading Heiser, I heard a podcast interview with Joel Muddamalle. Muddamalle is the academic protege of Heiser (who has now gone to his reward). He is carrying on with researching this idea of the elohim as an active presence in redemption history, and also with popularizing it in the Christian world. And I heard that he had written a book, The Unseen Battle, which might be viewed as a sequel to Heiser’s book. So naturally, I had to get it.

I expected TUB to be all the same material as TUR, just with Muddamalle’s own personal style. It was not. The first few chapters do recap Heiser’s cosmology, but they don’t spend a lot of time establishing it, as Heiser did. Muddamalle then moves on to the nature of the battle, which Heiser touched on but did not major on.

The nature of the battle is that God wants to get the nations back from the gods.

The way this is done, in the church age, is through evangelism, missions, and building healthy churches and families. In short, obedience. It’s not primarily through a lot of fancy, spooky ghost-hunting or exorcism stuff.

This exegesis, naturally, warmed my little Reformed heart.

Now, it does mean that, if you are attempting to be faithful to your spouse and/or raise your kids; work hard and honestly at a lawful calling; worship the Lord on Sunday and support His people; or do any other forms of healthy, faithful culture-building, you have stepped into the battle. The dethroned powers do not like this sort of behavior. This may, perhaps, explain why just trying to mind your own business and live a quiet, peaceable life can occasion so much resistance: everything from health problems, to Murphy’s Law and attacks of depression and discouragement; to actual hate and legal resistance from human beings who do not like what you are doing. (Per Muddamalle, Scripture makes it clear that the “hosts” on both sides of this battle are mixed, consisting of human beings and of spiritual beings.)

Particularly if you are contributing in any way (including by prayer) to the disciplining of not-yet-Christianized nations, you present a threat to the old gods, who do not want to be cast out as they have been cast out of so many other nations in the last 2000 years. This is why foreign missionaries and native pastors in unreached or partially unreached countries undergo so many hardships: poverty, evil bureaucracy, and all kinds of health and mental problems.

The church itself, existing as an entity comprised of people from many nations, is a rebuke to the powers.

The multiethnic and diverse nature of the family of God, the church, can be seen through Paul’s use of polupoikilos. This term is a combination of two adjectives meaning “much” (polus) and “various kinds, diversified, manifold” (poikilos). The word polupoikilos can also mean “of many colors” or “polychrome.” Classical Greek writers used this word to reference cloth or flowers to convey a sense of intricate beauty. The word poikilos is used in the Septuagint to refer to Joseph’s coat of many colors (Gen. 17:3, 23). As Timothy Gombis observes, “The powers have ordered the present evil age in such a way as to exacerbate the divisions within humanity. God confounds them by creating in Christ one unified, multiracial body consisting of formerly divided groups of people.”

ibid, pp. 169 – 170

How about that. The Rainbow of Diversity, which we have been taught to hate, is actually God’s goal as well. The reason that we have been taught to hate it, is because of the way they have pursued it … trying to force it down by means of human power and moralism, by defining righteous and unrighteous groups and viciously suppressing those deemed to be foes of the rainbow. They have made “inclusion” mean “we exclude you.” This is what happens any time people try to make the world look like the restored heavens and earth, without Christ. They end up bringing about the opposite. True harmony among the ethnic groups is not an easy thing. It can only be obtained by means of the New Birth.

Though this is a scholarly-for-the-layperson work, Muddamalle’s lighter personality shines in it. He has many call-out boxes sprinkled throughout the book, devoting a page or two to questions such as, “Are There Aliens in This World?” and “What About Demonic Exorcisms?”.

That’s it. Just I promised: a short review.

Oh! What are the “three rebellions”?

  1. Adam and Eve’s rebellion at the Tree
  2. The rebellion of the “sons of God,” when they chose to come down and take human wives (Genesis 6)
  3. Humankind’s post-Flood rebellion at Babel (Genesis 11). It was at this point that God divided up humankind among the elohim, giving each people group extant at the time its patron god.

Anyway … back to the battle! God be w ye this weekend!

No Friend to This House is A Great Title

Like anybody who has ever encountered it, I have “issues” with the story of Jason and Medea.

In case you missed it, he sails off on the Argo to get the Golden Fleece. She is a witch, daughter of the king of Colchis, descendent of Helios, the sun god. Struck by Eros with an inordinate crush on Jason, she helps him accomplish all the tasks necessary to get the fleece and escape alive. He takes her with him on the Argo, and they crash around Greece, leaving a trail of bodies in their wake. Eventually, he throws her over for a younger model, a native Greek gal who is daughter of the king of Corinth. Medea takes a bloody and spectacular revenge, which I won’t spoil (look it up).

I first heard all this from my ninth-grade Lit teacher. She presented it in a very feminist way, but to be fair, this particular story sort of begs for that. I remember, in university, arguing rather incoherently with a male classmate about who was the real villain in this story. Later, when I was home schooling and read a simplified version of the legend to my kids, we decided we didn’t like the story, and we didn’t like Jason or Medea either, and they were both horrible people and they deserved each other.

So, hopefully, this book will be the nadir of my year of reading Greco-fiction: facing the story of Jason and Medea square on, by reading an entire novel about them.

The reason I liked the title of this novel is that it sounded like a phrase taken directly from the Greek — and so it was. The author, Natalie Haynes, has really done her homework.

Euripides’ Medea was the first Greek tragedy I saw performed, and it was the first or second play I read in Greek. … I wrote my dissertation on the heroics of infanticide in Euripides (I don’t have children, before you think about composing your sternly worded letter). … I’ve been reading and thinking about this play for the best part of thirty years, and I have probably seen it performed twenty-five times … I decided that the thing I needed to do [before writing the novel] was translate the Euripides, longhand. This is–in case you are wondering–weapons-grade procrastination. It took me a few weeks …

Haynes, in the Afterword, pp. 359 – 360

Haynes’ treatment of this story has been called feminist. And O.K. … sort of? But it’s not “feminist” in the sense of someone who understands the literature poorly who then reacts against the ancient heroic-age value system and sets out to undermine it. It is, rather, the work of someone who has marinated themselves in the ancient heroic-age mileu, which inherently presented a very broken relationship between men and women (especially husbands and wives). This story, and also the story of Agamemnon and Clytemnestra, bring a lot of tension with them and almost demand that you take what might be called a “feminist” perspective, at least in part, unless you want to take a very simplified view of the whole thing and not really analyze it much at all.

It’s not just me saying this. Apparently, everyone has been arguing about Medea for … well, ever since she came to their attention.

Diodorious Siculus says that the reason we have so many contradictory versions of her story is because tragic poets are drawn to talking about marvels. It’s also worth mentioning that any character who prompts different versions of their story is one who was popular in antiquity. If you want to read more about Medea, I spent many happy hours with “Medea,” a collection of essays edited by James J. Clauss …

ibid, pp. 365 – 366

Apparently, my and my children’s feeling that the whole story is regrettable is echoed by the Nurse of Jason and Medea’s two sons. Here is her opening monologue to the play (translated by Haynes):

If only the Argos had sunk to the bottom of the sea rather than winging its way towards the land of Colchis … For then my mistress Medea would not have sailed to the towers of Iolcus, stricken with love for Jason … and she wouldn’t live here, in Corinth, with her husband and children, pleasing the citizens to whose land she came in flight, helping Jason in everything. That is the greatest help: whenever a wife doesn’t disagree with her husband. But now, everything is hostile .. For Jason–betraying his own children and my mistress–is sharing his bed with royalty … Medea is wretched, dishonored like this. She cries out about the oaths he swore to her .. I’m afraid she is planning something. She’s a strange woman. No one starts a fight with her and takes an easy victory.

ibid, pp. 272 – 273

Successive phrases from this speech are used as chapter headings for the first 3/4 of the book.

I give this book 3 out of 4 stars. (Or 4 out of 5, take your pick.) The research, storytelling and psychology are spectacular. It gets tenser and more tragic towards the end. It is, of course, very hard to read, because this is a tragedy. The hardest parts to read, for me, were the parts where the Nurse speaks to the children. Even though it’s set in the ancient world, this is fundamentally a story about a home that gets broken when the children are very small. That’s hard to bear.

The one missing star? I needed more description.

This book consists almost entirely in monologues by the different characters (except for Jason), punctuated occasionally by dialogue. I guess that makes sense for a novel that is a re-telling of a play. But if I’m going to read a book set in the ancient Mediterranean, which includes a tour of the cities of Iolcus, Colchis, Aeaea (Circe’s island), and Corinth, not to mention the Aegean, Adriatic, and Black Seas, I want more than little hints and scraps about what these places look, sound, and smell like. I want to see the terrain, the buildings, and the clothes people wear. Haynes gives us almost none of that. We only get a little bit of description when it is directly relevant to a plot point, like the Symplegades (giant clashing rocks), or the golden dress that Medea gifts to Glauke. This is where Haynes falls short of Renault, who describes buildings, clothing, and artifacts in detail.

Also, there is almost zero description of how the people look. That’s important to me.

As for Jason, we are only told that he is “good-looking” until he meets Medea, when we find out that he has dark, curly hair and golden skin. This means that we have to go through the Argo’s entire outbound journey making up our own mental image of Jason, and then modify it when we find out what is canon in the novel. In the case of Jason, that may be intentional. Part of his characterization is that he is a chameleon, able to be the figure that people want in order to get what he wants; or, as Haynes puts it, “a blank space where a man ought to be.”

But there are plenty of other characters that Haynes could describe when we first meet them, and she doesn’t. What do the Colchians look like? They are “not Greek.” Do they look Asian? Or is Medea made of gold, like the children of Helios in the novel Circe? What do the different Argonauts look like? The Tutor? The Nurse? Haynes does a better job describing the various goddesses, women, nymphs, and the golden ram whose lives are also busted up by this story … but still, I could use more.

Gentle reader, you have survived the harrowing journey of the Argo with me. What horrible ancient Greek story should we read about next?

Misanthropic Quote: Paul Secretly Pagan?

Many of the theories about Paul’s alleged dependence [on the Stoics, Gnostics, or mystery religions] stumble over their inability to come to grips with the radical change produced by Paul’s conversion. Many of them are inconsistent with what we know to be the early church’s repudiation of pagan inclusivism.

–Ronald H. Nash, Christianity & the Hellenistic World, p. 267

Misanthropic Quote about “Creative” Scholarship

But how many serious blunders does a scholar have to make before his reputation is tarnished? If a scientist or even a historian made as many fanciful suggestions in his field that were as devoid of support as some of the theologians we have noticed, or if he begged as many crucial questions, his reputation would surely suffer. But sometimes in theology, it appears, the reverse often holds. I am not sure that this speaks well for theology and biblical studies as intellectual disciplines.

–Ronald H. Nash, Christianity & the Hellenistic World, p. 265

Yet Another Creepy Custom

Little by little our way slanted lower, which made me think we were going westward, with the slope of hill.

Here were no stores, but now and then the rubbish of the ancient earthquakes, broken pots shaped without the wheel, or old crude tools. And once, where the earth had settled, there was a man’s white skull sticking out of the ground from the eye-sockets upward, before one of the great pillars. He still wore shreds of an old hide helmet. He was the Watcher of the Threshold, the strong warrior they bury living under a sacred place, for his ghost to fight off demons from it. I started, and then saluted him as became his honor.

–The King Must Die, p. 263

Future Events Cast Backward Shadows

Pagan kings looking like Jesus

In my recent big post about sacrifice (willing and otherwise), I pointed out some similarities between the different sacrificial deaths in Mary Renault’s The King Must Die, and the death of Christ.

Some of these similarities are deep. Theseus, as future king of Athens, has an honorary title the Shepherd of the People. He is the king’s son, and he feels “the god” (Poseidon) calling him “to the bulls,” that is, to go and be a human sacrifice in Crete. Before he departs, he reassures the parents of the other future bull-dancers, “I will go with your children, and take them into my hand. They shall be my people.”

Two thousand years after Christ, we are so saturated in the power of His story and of the things He said that it is hard to read these ancient customs as anything but Christological types. And, since The King Must Die was published in 1958, it’s pretty clear the author also was aware of Christ and was intentionally pulling phrases from Him. More about that in a moment.

Other similarities are superficial, but nonetheless striking. Near the end of TKMD, a sixteen-year-old “king” who is about to be torn to pieces by wild women in a Dionysian rite, goes to his death riding in a cart, crowned with ivy, brandishing a wine cup and scattering wheat seed on his people. Now, this rite is almost nothing like the death of Christ. It’s pagan. It does not happen on Passover, the date of the annual sacrifice of a lamb, but rather it is part of an annual ritual of human sacrifice mixed with orgy. The “king,” along with everyone else, is reeling drunk. He has just spent a year as the consort of the priestess/queen, and he has no choice in what is about to happen to him. It’s hard to imagine a death more different from Christ’s.

And yet, these very superficial similarities do not strike us as coincidences. Instead, they seem significant. On this side of Christ, we can’t help but notice when a man who is about to go up a hill and die shares out bread and cup to his followers.

This sort of horrifying, yet somehow moving, ritual is not something Renault just made up. It’s well-attested in myths, legends, and histories. In this essay, I will argue that Christ did not share out bread and wine because it had been done before. Rather, the pagan one-year king shared out bread and wine because Christ did so one thousand years later. Future events cast backwards shadows.

What was Renault trying to do?

To be clear, that is my thesis, not Renault’s. She was a lesbian who published a number of contemporary gay romance novels before discovering her personal obsession with ancient Greece. Writing about Socrates and Alexander the Great allowed her to write sympathetic historical novels about gay characters who lived in a context where this sort of behavior was considered completely normal. The King Must Die certainly includes all kinds of sexual activity; for example, in the Bull Court, the female bull-leapers cannot be allowed to get pregnant, so they are sequestered from the boys, and turn to relationships with each other. Many of the male bull-leapers become the paramours of upper-class Cretan men. Theseus himself is straight, but as an ancient prince, let’s just say he’s not exactly chaste. (I may have lucked into picking up Renault’s least gay book about ancient Greece.)

All this to say, I don’t think Renault was trying to say that any ancient customs were foreshadowings of Christ. If she was “trying to say” anything at all about Christ, it’s probably that He’s not so unique, and anybody familiar with ancient Hellenistic ideas would understand that. But her novels (at least TKMD) are not really “message” novels. She immersed herself in that world, wrote characters and customs that grew organically out of it, and this is what came out.

So no, I don’t think Renault is projecting Christ back into the ancient Mediterranean customs intentionally, except in the sense that she would have been familiar with biblical phrases as a woman raised in 1900s England. I think she was primarily writing from her research and imagination.

Is Christianity a ripoff from Greek mystery religions?

Still, when I first read TKMD, the tone was familiar to me and I immediately picked up the implications. Not that many years before reading it, I had been through a year of thorough education in Greek mythology by a high-school teacher who could safely be described as feminist. My best friend at the time was a neo-pagan. Between the two of them, this teacher and friend were quick to point out any parallels between Greek paganism and Christian practice, and to accuse Christians of “stealing” it. Looking back, there was a certain defensiveness there, which I did not realize at the time. But my teacher and friend were only two voices in a large crowd of scholars.

During a period of time running roughly from about 1890 to 1940, scholars often alleged that primitive Christianity had been heavily influenced by Platonism, Stoicism, the pagan mystery religions, or other movements in the Hellenistic world. Largely as a result of a series of scholarly books and articles written in rebuttal … Today, most Bible scholars regard the question as a dead issue. [But] even though specialists in biblical and classical studies know how weak the old case for Christian dependence was, these old arguments continue to circulate in the publications of scholars in such other fields as history and philosophy.

–Christianity and the Hellenistic World (1984), p. 10

As an aside, notice that the peak of this theory were the years during which Mary Renault was growing up and going to school.

Sometimes books come to you, serendipitously, just when you are ready for them. As I was thinking about this question of the similarities between fictional (but history-based) sacrificial victims in Renault, and my own Dying God, I imagined how I would build a case that He was clearly not copying them. Although He did grow up in a thoroughly Hellenized environment, He was a Jew. He was extremely faithful to the God of Abraham, Isaac, and Jacob, and was so familiar with the Law and the Prophets that He could quote them off the cuff. His veins seemed to flow with the Hebrew Scriptures. In short, He showed no signs of wanting to throw over the religion of His ancestors for that of the Greeks. Furthermore, many of the elements of how His last days went down came about as a result of the particular historical conditions in which He found Himself. He went up the hill to die because Jerusalem is built on a height. He shared out bread and wine because they were having the Passover, and this ceremony had been established 1400 years before in the desert of Sinai, not 1000 years before in the Ionian islands. He called Himself a king because that was what the Jewish Messiah was supposed to be, and He was of the house and lineage of David … not because He had been selected by matriarchal priestess to live as a king for one year and then die. He called Himself the Good Shepherd because of the Israelite pastoral tradition, not because of the Athenian one. The Roman soldiers put a crown of thorns on His head because they were professionals at humiliating and torturing people. It’s hard to imagine how He could have orchestrated all these historical factors intentionally in order to copy a pagan custom that was practiced far away, and centuries before He was born.

I can assert all this stuff, but there is always some scholar out there who could be quoted to argue with me. I needed a book. And the book came to me. As I was turning all these things over in my mind, I had to venture out to a Christian bookstore that was closing. (“Come get your novels,” they said.) Of course, many of their books were on clearance, and there before me was Nash’s Christianity and the Hellenistic World for the low low price of one dollar, its asking price all out of proportion to its value to me at that moment. Nash can prove what I can only assert.

Nash systematically addresses claims that early Christian writers, particularly Paul, got many of their key concepts from Platonism, Stoicism, the mystery religions, and Gnosticism.

Among the many claims published in this century are the following:

  1. Early Christianity was just another Hellenistic mystery religion.
  2. Important Christian beliefs and practices were either borrowed from, or were heavily dependent on, similar beliefs and practices in the mysteries.
  3. Both baptism the Lord’s Supper evidence the influence of similar rituals in the mystery cults.
  4. Among the many Christian beliefs drawn from the mysteries is the Pauline doctrine of salvation, which parallels the essential themes of the mysteries: a savior-god dies violently for those he will eventually deliver, after which the god is restored to life.

A major movement in the development and promotion of such theories was the History of Religions School (Religionsgeschichtliche Schule).

-ibid, pp. 116 – 177

Nash addresses problems with these claims such as the following: in the mysteries, the dying god does not really rise. Osiris lives on in the underworld; the dead god’s body becomes the wheat, etc. As far as we can tell, ritual washings in the mysteries were just purification rituals, and they had to be repeated. They do not seem to have been a one-time entry into a new life like the Christian baptism. For many of these mystery religions, we don’t actually know much about the content of the rituals, because they were intentionally kept secret. For many mystery-religion practices that are well-attested, such as the taurobolium where the initiate stood beneath a grate while a bull was slaughtered, these practices seem to have developed after Christ rose and Paul wrote his letters. In the case of the mystery religions of the first, second, and third centuries, some of them were actually influenced by Christianity, not the other way round.

But I’ll let German scholar Adolf von Harnack, quoted by Nash, have the last word:

We must reject the comparative mythology which finds a causal connection between everything and everything else, which tears down solid barriers, bridges chasms as though it were child’s play, and spins combinations from superficial similarities … By such methods one can turn Christ into a sun god in the twinkling of an eye, or one can bring up legends attending the birth of every conceivable god, or one can catch all sorts of mythological doves to keep company with the baptismal dove; and find any number of celebrated asses to follow the ass on which Jesus rode into Jerusalem; and thus, with the magic wand of “comparative religion,” triumphantly eliminate every spontaneous trait in any religion.

–ibid, pp. 118 – 119

Too many keys to mythology

In short, the problem is not that there are some key symbolic parallels between Christ and ancient pagan symbolism. The problem is that there are too many parallels, or similarities, right down to the animals involved. Part of this is simply the limitations of living in this world. Jesus had to eat something, He had to ride on something, He had to use some kind of words when He spoke, and there were a finite number of foods, mounts, and terms in the ancient world, just as there are everywhere. I have pointed out before, when addressing the problem of whether Christians “stole” pagan practices like hot cross buns and wedding customs, that there are a limited number of ways to do every human activity. If you eat something, wear something, or go through a life passage, and you are a human being, I guarantee that in the past four thousand years there has been someone who did it that way before you. And that someone was probably pagan.

As G.K. Chesterton said about finding mystical and symbolic connections:

The true origin of all the myths has been discovered much too often. There are too many keys to mythology, as there are too many cryptograms in Shakespeare. Everything is phallic; everything is totemistic; everything is seed-time and harvest; everything is ghosts and grave-offerings; everything is the golden bough of sacrifice; everything is the sun and moon; everything is everything.

–The Everlasting Man, p. 103

These are the givens of the universe that all humans encounter; and, unless we are sorely impoverished, we all have some way of dealing with them. But just because they are ubiquitous does not mean they are unimportant. These things are shadows of what was to come. The reality, however, is found in Christ.

Symbolism in Reality

Last point: Jesus was the fulfillment of all these confused hints in every culture. But the vibe of the New Testament historical records is much less gorgeous, mythical, and poetic than the ancient pagan stories. As C.S. Lewis put it:

When I first, after childhood, read the Gospels, I was full of that stuff about the dying God, The Golden Bough, and so on. It was to me then a very poetic, and mysterious, and quickening idea; and when I turned to the Gospels never will I forget my disappointment and repulsion at finding hardly anything about it at all. The metaphor of the seed dropping into the ground in this connexion occurs (I think) twice in the New Testament, and for the rest hardly any notice is taken; it seemed to me extradordinary. You had a dying God, Who is always representative of the corn; you see Him holding the corn, that is, bread, in His hand, and saying, ‘This is My Body,’ and from my point of view, as I then was, He did not seem to realize what He was saying. Surely there, if anywhere, this connexion between the Christian story and the corn must have come out; the whole context is crying out for it. But everything goes on as if the principal actor, and still more, those close to Him, were totally ignorant of what they were doing. It is as if you got very good evidence concerning the sea-serpent, but the men who brought this good evidence seemed never to have heard of sea-serpents. Or to put it another way, why was it that the only case of the ‘dying God’ which might conceivably have been historical occurred among a people (and the only people in the whole Mediterranean world) who had not got any trace of this nature religion, and indeed seemed to know nothing about it?

–C.S. Lewis, “The Grand Miracle,” in God in the Dock, p. 83

Well, when you put it that way, it’s pretty funny, isn’t it? Jesus’s death reads as disappointingly prosaic compared to the myths only because it actually happened. This is very humble of God. He has quite the sense of humor. As John puts it after his account of the Triumphal Entry, “At first His disciples did not understand all this. Only after Jesus was glorified did they realize that these things had been written about Him and that they had done these things to Him.” John 12:16

Sources

Chesteron, G.K. The Everlasting Man. Ignatius Press: 2008, originally published in 1925.

Lewis, C.S., ed. Walter Hooper, God in the Dock: Essays on Theology and Ethics. Eerdmans: 1970, 1978.

Nash, Ronald H. Christianity and the Hellenistic World. Zondervan: 1984.

Renault, Mary. The King Must Die. Alfred A. Knopf, Everyman’s Library edition pub. 2022, originally published by Pantheon Books in 1958.

“Who is Mary Renault?” copyright The Mary Renault Society, 2010 – 2026, Who Is Mary Renault? – The Mary Renault Society, accessed April 17, 2026.