Silver Sagebrush

Our Idaho Wildflower of the Week.

Here is a piece of silver sagebrush growing out of the midst of a juniper bush. You can see more of them in the background.

Here is what they look like in the aggregate. As you can see, we have the classic dusty road, barb-wire fence, and a behind it a meadow of sage stretching off into a vivid blue sky. This little stretch of sage and lava rock is a short walk from my house. Around it are cultivated fields.

We have a number of silvery plants here in Idaho. Besides silver sage, which grows everywhere, and our old friend Lamb’s Quarter, wherever there is water we have Russian olive trees. They are almost exactly the same silvery-sagey-grey color. Both plants give off a pleasant smell. The sage brush smells spicy and resiny, and the Russian olives have an extraordinarily fresh smell that is almost like a drink of water as it wafts towards you on a hot day. Between the two of them, this place smells terrific any time there is enough moisture in the air to carry the scents to us on the wind.

Silver Sage is not the only kind of sagebrush, far from it. According to the guidebook Central Rocky Mountain Wildflowers,

Silver sagebrush is well adapted to the wildfires that have swept its habitat for thousands of years. When burned to the ground it simply resprouts from surviving buds on horizontal stems below the soil surface. In contrast, big sagebrush is more often killed by fire, relying on seed to recolonize the burned area. Silver sagebrush was first described to botanical science by Frederick Pursh in 1814, from an October 1804 collection made by Meriwether Lewis near the mouth of the Cheyenne River, in present-day South Dakota.

page 192

Idaho Wildflowers

It became necessary to buy this book last week.

The fam and I went on a hike. A steep hike. The mountainside looked barren from the valley below, but when we were in among it, we were passing through thickets of trees and meadows (near vertical meadows, mind you) of tall grasses. And wildflowers. So many wildflowers.

This is the only wildflower picture that actually came from that hike. Obviously some kind of thistle, though it does not appear in the guidebook.

Every one of them was very distinctive looking, as if a person who knew what they were about would be able to identify them at a glance. I realized it was a disgrace that I didn’t know any of their names. (OK, Indian Paintbrush, but that was it!)

Black Sheep (who has apparently dropped off the Internet!) was aiming to have a Big Year with bird watching. I am not up to that, but perhaps I can start watching wildflowers. At least they hold still!

Having bought and looked through the book, I now know at the very least that I saw Lupine. The others have fled my memory. But here are a few found around our house, with my best shots at identifying them.

Wavy-Leaved Thistle. Much easier to find, but less spectacular, than the (thistle?) above.

Volunteer Yellow Columbine growing right in my flowerbed.

Showy Milkweed.

The things with yellow flowers are Leafy Spurge.

“This introduced noxious weed grows in disturbed soils along roadsides and fields. It is vigorously colonial, spreading laterally and forming dense communities, often excluding other plants. Twelve native species of spurges occur in the Pacific Northwest. Leafy spurges and other Euphorbias are known to be poisonous. Cattle and horses seem to be affected by the toxic properties of spurge more than sheep, which readily eat leafy spurge.” (page 133)

The hanging-down ones are Wild Lily of the Valley.

“This common native wildflower was named for its resemblance to the introduced garden lily of the valley flower … The garden plants have dangerously poisonous compounds that are purgative and have a digitalis-like effect on the heart … The native wild lily-of-the-valley has edible berries, although they are not very tasty, and eating too many will unleash their laxative properties. It is sometimes called starry Solomon’s seal.” (page 219)

And, climbing on a juniper tree, Climbing Nightshade.

“Climbing nightshade is an introduced vine [in the Rockies] … The plants scramble over shrubs and other vegetation for support, sometimes robbing them of the light needed to survive. Solanum is one of the larger genera worldwide, but it is concentrated in tropical and subtropical America. It includes the common potato (!). Many species of Solanum contain poisonous alkaloids, and grazing of climbing nightshade foliage has caused livestock deaths. … The bright red berries of climbing nightshade are very attractive and tempting, but they are poisonous and should not be eaten.” (page 62)

This instance of climbing nightshade is on our neighbor’s juniper, but we also have it in our raspberry patch!

And, finally, an old friend …

Lamb’s Quarter. This isn’t in the guidebook, as far as I can tell, but I include it because is is one of my favorite weeds. Yes, it used to be my job to classify weeds for agriculture scientists and I always kind of liked Lamb’s Quarter because the silvery power hidden in the top of it was something I found romantic. I would imagine a group of adventurers (very tiny ones, of course) climbing to the top of one of these things and being surprised by what they found there.

Happy Summer, everybody!

What’s your favorite weed?

Neanderthal Woman versus the No-Electricity

This post is a tribute to Bookstooge’s post Lord Bookstooge versus the No-Internet, which is much funnier than this post is likely to get.

Well, hello, everyone! This weekend, while the world burned, the Neanderthal family in their remote location were going through something that was much less distressing and had fewer long-term implications, though it felt like a crisis at the time. It did result in Neanderthal woman having no access to her blog from Saturday through Tuesday.

On Saturday, Neanderthal woman spent a little time mixing fertilizer into her garden with a rudimentary digging stick. Then the Neanderthal family went on an arduous journey to a distant place. They returned right around the time of sunset. Rain clouds were ringed about their abode, but were only spitting a little and emitting bursts of wind which are not unusual in this particular Neanderthal family’s habitat.

However, at some point the winds became very strong and the woman was forced to close the windows, which she had opened in order to air out the cave. It wasn’t until the torches went out and the Neanderthals glanced into the front yard, that they realized the winds had been very strong and had in fact blown down a spruce tree, completely blocking their road.

Neanderthal woman texted her cave landlords to inform them of this development. They immediately arrived and, using mysteriously advanced technology, cleared the spruce tree from the road. This took them until about midnight.

Meanwhile, the Neanderthal kids were quite freaked out. The Neanderthal woman spent the night comforting them as they huddled together.

It later turned out that the winds (called a “microburst”) had knocked down power poles for about a mile to the West of the cave. It would take some time, even with advanced technology, to restore the fire of the gods.

It also turned out that cave’s well is accessed by an electric pump, which meant that until the fire was restored, the cave would have no water. The Neanderthal family was forced to go back to the ways of their ancestors, hauling buckets of water from a nearby stream in order to flush toilets and brushing their teeth using water they had reserved in 2-liter bottles. They ate cold food, being unwilling to fire up the wood-burning stove. Unwashed dishes piled up, but this was not too different from ordinary life so the Neanderthal family hardly noticed it.

The Neanderthal children missed their Netflix and their online games, but they had fun playing at a friend’s house. Meanwhile, the bearers of advanced technology were working their high, Cro-Magnon-style foreheads off and by Monday night, the fire of the gods was restored. The Neanderthal family eagerly dived back into their highly electricity-dependent life, resolving from now on to store more than six liters of water in the basement.

Betataki Cliff Dwelling, Nestled in Its Valley

Betataki 4
Here is the painting.

Betataki 2
Here is what it looks like on the wall. It is 12×24″.

Betataki Cliff Dwelling is located at what is now the Navajo National Monument. Rand McNally, who kindly alerted me to its presence, won’t allow me to post a copy of a page from their atlas. However, if you want to find this somewhat out-of-the-way place, head north from Phoenix on I-17. Continue north as the highway becomes 89, then get off at the turnoff for 160, signs for Tuba City. 160 cuts northeast across Navajo country. About 75 miles past Tuba City (and just before Kayenta), you’ll see signs for the Navajo National Monument. It’s on the north side of the road. Like every good national park, there is a small museum/gift shop/information center, where you can obtain maps for walking the various trails.

The trail to Betataki is a short, easy hike: about an hour round trip to and from the overlook. You cannot approach the cliff dwelling itself, but there is a viewing platform that allows you to look across the canyon. When you do, this painting is roughly what you will see.

Navajo 4 Pueblo

Here is a crude, cell-phone-picture close-up of the cliff dwelling. As you can see, it’s under the large arch on the left side of the painting.

We were there on a grey, snowy day. I didn’t plan it this way, but I love the contrast the snow and the cold grey colors of sky and vegetation make with the red-rock desert.

For those keeping track, Kachina Bridge is about one day’s drive north of Betataki. It’s in Natural Bridges National Monument in southeastern Utah.  This is simply a huge culture area.

Finally Read This

TBR Naya Nuki
Naya Nuki by Kenneth Thomasma, Grandview Publishing Co., Jackson, Wyoming, 1983

This children’s book is based on actual events. At the age of eleven, Naya Nuki and her friend Sacajawea (yes, that Sacajawea) were kidnapped during a raid and marched about 1,000 miles to the east, into what is now North Dakota, to serve as slaves of the more prosperous Minnetare.

Naya Nuki determines to escape. She begins preparing before the outbound journey is even over, memorizing landmarks and so on. (Luckily, in order to get back to her home country, she basically just has to follow the Missouri River.) She then busies herself being a model prisoner, while also obtaining and hiding the things she will need for her journey, such as a buffalo robe (basically, a winter coat/sleeping bag), moccasins, extra food, and even a knife.

Sacajawea isn’t interested in trying to escape, being fairly sure that the girls will be quickly run down and killed by their captors. Shortly before Naya Nuki’s escape, Sacajawea tells her that she has been sold to a white man. (I knew Sacajawea was married to a Frenchman, and I’d always wondered whether it was a romantic interracial love match. Turns out, not so much.)

Naya Nuki cleverly waits for a stormy night to escape. She travels by night at first in case she is being tracked and continues to think like a fugitive throughout her journey. Once she gets well out of range of her captors, she then “only” has to deal with things like illness, snowstorms, and even a grizzly bear.

This little eleven-year-old girl walks all the way back to her people. She seems so capable throughout most of the book. It’s not until the end, when she and her mother are crying and embracing, that she seems like a little girl again. Her people change her name to Naya Nuki, which means Girl Who Ran. We don’t know what her name was before that, so Thomasma calls her Naya Nuki throughout the book.

Four years later, Sacajawea shows up at the Shoshoni camp again, this time in the company of the Lewis and Clark Expedition, and carrying the baby she had with her French husband, Charbonneau.

I’ve always admired Sacajawea for making that journey with a baby, but Naya Nuki … wow.

Here are some charts I’ve created to illustrate my reaction to this true story.

Strength Chart

Naya Nuki, while a lot physically stronger than yours truly, is still an eleven-year-old girl, not a grown man. She doesn’t have unlimited strength, speed, or endurance.

Toughness Chart

But her mental toughness knows no bounds.

Amazing Person of the Week

All night Naya Nuki ran at a steady pace, with short periods of walking that served as rest periods. At every stream she drank small amounts of water. She ate no food and would go without food as long as possible. As a Shoshoni Indian, she was used to having only three or four meals a week when times were hard. Now Naya Nuki would call on all her past experiences to help her survive her long and difficult journey back to her people.

Naya Nuki, Shoshoni Girl Who Ran, by Kenneth Thomasma, p. 61

Kachina Bridge Series

Kachina Bridge is huge natural stone bridge located in southern Utah. It has petroglyphs dibbled onto it. I was able to visit it last November, took a million pictures, fell in love. Here are some views of it from the back.

The photograph. The stripes are water/mineral staining.
First painting of it
Second painting of it, done on a smaller canvas (8×10)
For
comparison

The more vibrant colors in the painting are closer to how I remember it looking real life, especially the warm glow.

Now, zooming out from the arch, let’s go down the path behind it, turn, and look back:

In the upper left corner of this painting, you can see the portion of the arch that the earlier paintings are close-ups of.

Next time: Kachina Bridge from the front!

Quote of the Week: Brilliant Native American Botanists

Matthew Stirling, Chief of the American Bureau of Ethnology, [says] ‘Among the plants developed by these ancient botanists are maize, beans (kidney and lima), potatoes, and sweet potatoes, now four of the leading foods of the world. Manioc, extensively cultivated by the natives of tropical America is now the staff of life for millions of people living in the equatorial belt. Other important items, such as peanuts, squash, chocolate, peppers, tomatoes, pineapples and avocados might be added. In addition, the Indian was the discoverer of quinine, cocaine, tobacco and rubber …’

Kenneth Mackoman adds to this list, the custard apple, strawberry, vanilla bean, chickle, and cascara, besides a number of others less familiar. His whole list of important plants made up by Indian’s agriculture is impressive, for it contains 50 items, not one of which is an Old World species … The Indian devised a useful method for extracting a deadly poison (cyanide), from an otherwise useful plant, manioc, without losing the valuable starch it contained.

M.D.C. Crawford gave a list of vegetables which were cultivated by the American Indians prior to 1492, which adds the following: Aloe, Alligator Pear, Arrowroot, Star Apple, Cacao, Chili pepper, Jerusalem Artichoke, Cotton, Pineapple, Prickly pear, Pumpkin.

‘The pineapple … originated in America and was the unknown to the people of the Old World before its discovery.’ Just where the Indian found the original plants which they improved upon to produce modern pineapples, we do not know. None of the existing [wild] varieties compares with the domesticated plant … This was … a deliberate and intelligent breeding process … we cannot now retrace the steps by which it was first accomplished.

Arthur C. Custance, Noah’s Three Sons, Zondervan 1975, pp. 166 – 168

I Like Painting Pines

You all remember this pastel sketch of Sasquatch, which was inspired by Starry Night …

Note the evergreens, because Sasquatch lives in the Northwest. (And yes, I know that not every evergreen is a pine! There are spruces, hemlocks, etc.)

I just like adding conifers (maybe we should call them that) when it seems called for. They are easier to paint than deciduous trees, though harder and less advisable to hug.

When I did this quick sketch of a certain little boy, he posed for me indoors. But I decided to add some conifers and some golden light to make it look as if he was standing in a Northern paradise.

Come to Idaho! We have trees. Happy little trees.

Just call me Bob Ross.

Addendum:

What can I say? Curly hair and artistic talent just go together …