Paintings of the Drive Home

I’m continuing with the “quantity over quality” approach. This is partly inspired by an artist whose work I found on Pinterest, often with the tag “a sunset a day.” He does lovely impressionistic cloud paintings. However, I think he may be putting more time into them than I am.

What I do is, notice the sky around 3 or 4 p.m. when I’m driving myself and my offspring home from school across the windswept Idaho plains, take a mental picture, and do my best to reproduce that mental picture over the next few days.

Both of these are 8×10.

The one on the top is cornfields; the one on the bottom features fields that have been harvested, then harrowed, then planted with something green again before the winter.

Another 8×10: Big Southern Butte in a dirty sky.

Our Week Last Week

Thursday

Saturday

Explanation: On Thursday night, we attended a community dance where we danced the Jitterbug, the Foxtrot, a polka and the Virginia Reel. By Saturday morning, we found ourselves standing at the edge of a field, praying over the grave of my son’s pet rabbit who had escaped his hutch and mysteriously perished without a mark on him.

Another Mediocre Painting

The inspiration: Logs and rocks visible under water at Jenny Lake.

The execution: The first painting I’ve ever done entirely with a pallette knife.

Yes, yes. Underwhelming, I know. I have so many ideas and limited time, so I have decided to go the route of prodigious quantity over quality, based on the theory that if you churn out enough quantity, your quality will also improve eventually. Actually, I have seen this principle operate in my son’s paintings. However, in this case the quality is more potential than realized.

I have seen amazing, photorealistic paintings of pebbles under shallow water by professional Western artists. I’d love to return to that theme some day, when I have weeks or months to spend on it, and do a better job. Bucket list.

Cactus Painting in Progress

I’ve been waiting to share this one with you guys because it was a special surprise for someone who likes botanical paintings. So, I had to wait until the special occasion had passed and the gift had been delivered.

I prefer painting landscapes, which means capturing a moment… but it is nice to paint something that holds still.

First, I did a dappled background in taupes. Then, I added the grey square, which is going to be the “white” planter. Then, dark green for the cactus and a strip of terra cotta around it. Each of these steps inspired terror in me, for fear of ruining the previous one.

Next, I made the planter 3D by adding dark shadows and white highlights.

Each cluster of spines on the cactus has white fuzz around its base, so I added fuzz nodules. These will guide me when I start the slow work of adding spines. I’m working from a photograph, but the cactus in my painting is turning out to be a larger plant than the original, with more rows of spines.

And now, we start adding spines. Each node has five long ones. When they get really long, they curve over each other and make a thicket.

Spines completed. I used a tiny little brush for them. The key is to draw each line with confidence. It was soothing; I listened to a Haunted Cosmos podcast while I worked, because what accompanies a nice botanical painting better than terrifying exorcism stories?

Note that the mature clusters also have reddish-brown spines.

I’ll need to add more spines as finishing touches after I add the flowers.

Now, here come the blossoms…

When I had done a few of them successfully, the terror decreased.

On the photograph, some were barely visible buds, so I had to make them bigger. I wanted eight.

And, here’s the finished product! The flowers are nestled in spines, so I had to add more to conceal the base of some of them.