Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Should’st rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood;
And you should if you please refuse
Till the Conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze
Two hundred to adore each breast;
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For lady you deserve this state;
Nor would I love at lower rate.
But at my back I always hear
Time’s wing-ed chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song: then worms shall try
That long preserved virginity:
And your quaint honor turn to dust,
And into ashes all my lust.
The grave’s a fine and private place,
But none I think do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
And every pore with instant fires,
Now let us sport us while we may;
And now, like amorous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapped power.
Let us roll all our strength, and all
Our sweetness, up into one ball;
And tear our pleasures with rough strife,
Through the iron gates of life.
Thus, though we cannot make our sun
Stand still, yet we will make him run.
“To His Coy Mistress,” by Andrew Marvell (1621 – 1678)
Perhaps you did. This is, after all, just a better-expressed version of the old line, “Do you want to die a virgin?”
That’s why I call it complete nonsense. Come on, Andrew Marvell. Was this girl really expecting you to wait centuries for her? Or was she just hesitating for a few weeks? I’m guessing probably the latter. And you decided to bring the specter of mortality before her in order to guilt her in to your bed immediately.
I think the content of this poem is a huge piece of eye-roll worthy male manipulation. But the form is so terrific that I love the thing despite myself. I almost have it memorized. It’s a 17th century ear worm.
Marvell has taken a quintessential line, and he has elevated it, through the magic of poetry, into something else entirely.