Goodbye to the Chubby-Girl Genre

Hi, everyone. I still have a low fever plus the muzzy head and joint aches that go with it, so this post should be … interesting.

Within the last week I finished the book above. If the Shoe Fits is a sort of very loose Cinderella re-telling. The heroine’s name is Cindy. She has a stepmother and stepsisters. They are not hostile to her as in the original story — they are actually quite affectionate — but they are gorgeous, thin Hollywood babes, very much in the T.V. world, and Cindy is plus-sized, so there are some hints that things were a bit rough in high school. The handsome prince is the heir to a fashion empire. Cindy has just graduated from fashion school, with a special interest in shoe design. As you can see on the cover, the author does manage to get her into an outfit that parallel’s Disney’s Cinderella. And yes, there are crystal-covered shoes at one point. (No, she does not lose them, though I was waiting for that.)

O.K., those are the similarities. Now, the differences. This book takes place in the fashion world and in the world of reality T.V. Cindy and Henry must get to know each other while they are both contestants on a show that is obviously The Bachelor (a show whose producer is actually Cindy’s stepmother). So, all of this is pretty different from a fairytale.

A Sensible Story of Chub

If the Shoe Fits was written by Julie Murphy, who is also the author of Dumplin’. I have not read Dumplin’ but I did see the movie. This book, I would say, has the same strengths and weaknesses as the ones I noticed in Dumplin’.

First, the strengths. Both books feature a romantic heroine who is fat. In both cases, the amount of self-pity that gal displays is very low. This is so refreshing. Plus-sized girls need role models who are not whiny and self-obsessed. Dumplin’ is in high school, so she has a few more issues with her weight than Cindy does, and it’s shown how this leads her to be unfair to her naturally thin best friend. Cindy notes that she has gotten catty comments and the like, and it’s hard to find a variety of clothes in her size, especially in the fashion world, but for the most part she’s confident and she displays no envy or hostility to the more Barbie-like women who are also contestants on the T.V. show. Finally, in both books there is an attractive male romantic interest who seems to really like Cindy or Dumplin’, and this is accepted as a matter of course. There’s no insulting discussion along the lines of, “I like you even though you’re fat because …” blah blah blah. Is this unrealistic? Maybe. But remember, this is a romance genre, so it’s a fantasy for women. Also, some guys are attracted to women who would consider themselves fat (correctly or incorrectly). Finally, whenever one person says to another, “I like you even though …,” I would say that’s a red flag. Unless it is Mr. Darcy speaking, it probably means the “even though”-er feels superior to their prospective romantic partner, and expects that they will be able to treat them badly.

The Less Sensible Part

So, those are the strengths of each book. The downside? Both books have a subtext that being fat is just like being gaaay.

In Dumplin’, the heroine has warm memories of “Dolly Parton parties” that she and her beloved aunt used to have. Later, she finds out that her aunt was longtime friends with a whole bunch of drag queens who are also huge fans of Dolly. The drag queens, and their theatre, are a safe space for Dumplin’ and they help her prepare for the beauty pageant. So, a major theme of Dumplin’ seems to be that drag queens are kind, safe people who make great mentors. We have found this not to be true.

In If the Shoe Fits, we have Jay.

“Jay?” Henry calls.

A beautiful person with short, perfectly edged lavender hair, a manicured beard to match, razor-sharp eyeliner, and nude lipstick rounds the corner. Jay wears a flirty skirt with a cropped sweater topped with a trench coat and platform sneakers.

“This is Jay,” says Henry.

“Follow me,” says Jay as Henry helps them down from the stage.

So, Jay is a basically a very lost and confused young man whom the author insists on calling they throughout the entire book.

I realize that what I’m about to point out is well-trodden ground, but I’m going to tread it again.

How do I know Jay is a young man? He has a beard, and he’s “beautiful.” If Jay were a young woman who had been taking testosterone, he would be overweight, balding, with acne, and the beard would be scraggly. So, my instinct is that Jay is a young man. I pictured him that way as soon as the character was introduced, and I continued to think of him as “he” throughout the book.

As a mom, I really feel for Jay. I’d like to just give him a hug and a cup of tea, and introduce him to some genuinely good father figures so he can see there’s nothing wrong with being a man. Jay needs Jesus. And yes, I realize all the real-life Jays out there would howl with indignation if they were to come to this blog and see me say that. They can only interpret “You need Jesus” as a condescending slam, not a genuine expression of love and concern. People have been reacting that way to the name and message of Jesus for 2000 years. I don’t know who needs to hear this, but just because that is your reaction right now, doesn’t mean it has to be that way forever.

Second well-trodden point: go back to the quote above and look at Jay’s outfit. A flirty skirt with a cropped sweater – already sad on a man – but the trench coat and the sneakers take the outfit to a whole new level. That level is chaos. Jay has selected for himself an outfit that screams, “I have no idea what’s going on or what or who I want to be, and I want you to admire this chaos and join me in it.” Yes, this book does take place in the fashion world, which is notoriously in love with the weird … but Cindy describes a number of her own outfits throughout the course of the book, and they all make sense. No matter how creative Cindy gets with her outfits, they are integrated, coordinated, works of art, because Cindy knows what she is: a woman.

Finally (the most well-trodden ground of all) despite the author’s best efforts, it doesn’t really work to use the pronoun they for a character we already know. (They in the singular is fine in English, when it’s referring to an unspecified or unknown individual. When we have already met a character, that person is no longer unspecified.) For example, at one point Jay leads a group of dignitaries into the boutique, and then a little later they hop down from the counter they were sitting on. (Were all the dignitaries sitting on the counter? Or just Jay?)

Just Gotta’ Do It Myself

As someone who wears plus sizes, has a belly, and has in the past been fat, I like the idea of these chubby-heroine books. This is especially true since the majority of women in the U.S. are what the fashion industry considers plus-sized. But sadly, I think I’m done with the genre. The last chubby-heroine book I read tied confidence in a plus sized woman to female empowerment, and female empowerment to abortion, with a side advertisement for “spouse-sharing.” The one before that, a murder mystery, was tame by comparison, but it did include a bunch of little digs at white girls. I’m done.

I guess I will just have to write a chubby heroine into my own books … oh, wait, I already have!

Magya is a short, curvy mother of four who stepped out of the shadows to grab her own romantic subplot in my book The Strange Land. She was pregnant when her husband was tragically killed. Another member of the tribe stepped in to care for Magya and her children, and he found himself falling in love with her as she went through pregnancy and grieving and the hardships of a Siberian winter. He spends the year sitting on his hands so as not to bother her, and by the next year, they are married.

Sari is also a mother of four and a larger lady, but her story, in the same book, is much more tragic.

Don’t go to my novels just for the chubby girls, of course. Go for the survival and the demons and the dinosaurs. But don’t be surprised if you encounter all kinds of women – and men – along the way. That’s what happens when we just write about life.

You Don’t Need the Apostrophe-S

Why don’t you need the apostrophe-s? Because English has a category for showing possessives without it … and it’s a rather large category.

  • fairy dust
  • bear claws
  • tiger tracks
  • baby poo
  • chicken feathers
  • lettuce leaves
  • castle battlements
  • Lady Chapel
  • Loch Ness Monster
  • angel wings
  • devil horns
  • cow horns
  • deer antlers
  • child care
  • Jerusalem stone
  • Christian ethics
  • dandelion fluff
  • mustard seed
  • computer screen

… O.K., o.k., … maybe it’s only allowable when the person or entity possessing the thing is acting as an adjective describing what type of thing it is.

Oh, Brother

So, one Latin word for brother is germanus. (Sister = germana.) The others, of course, are frater and soror.

We get our derivative “germane” from this, but also “German.”

That’s right, the Romans looked at the Germanic tribes and just started calling them “the brothers.” I guess they must all have looked alike to them. And probably they were all actually related to each other.

Meanwhile, the Spanish Celts were speaking their adorable pidgin Latin, so we get the Spanish hermano/hermana.

There are fewer words in this world than it first appears, actually.

R.I.P., Huitzilopochtli

The name Huitzilopochtli means “hummingbird of the left [hand]” or “hummingbird of the South.” Now, if we were to play a word-association game and I said “hummingbird,” I doubt that the first thing out of your mouth would be “human sacrifice.” This was not true of the tribe of the Mexica, however.

The hummingbird was closely linked both with human sacrifice and with rain, since it appears in the rainy season, so the bird was associated with the form of death believed to feed the sun and with fertility as well. Huitzilopochtli [after, in the myth, killing his sister and routing his brothers] was no longer just an obscure earth deity, he was now the Lord of the Daylight Sky, the Rising Sun, and his symbol, the hummingbird, also came to represent the fallen warriors who accompanied the sun on his daily journey. Among his other attributes, the Mexica came to believe in Huitzilopochtli as the God of War … who incited his chosen people to greatness … by the force of their own hearts and their arms which would “lift the Mexican nation to the clouds.” These same hearts and arms were also to provide the vital, nourishing blood that sustained the god and the Aztec world.

The Aztecs, by Brian M. Fagan, pp. 55 – 56

Got that? Hummingbird >>> rainy season >>> fertility >>> human sacrifice >>> war.

The Mexica were sacrificing to Huitzilopochtli as they wandered around central Mexico, fighting one people after another, before they ever founded their great capital city of Tenochtitlan. (We are still not clear on the location of their original homeland.) However, if we count from the founding of Tenochtitlan in the year Two House (probably about A.D. 1325), when the Mexica built a reed temple to the hummingbird god on the small island where they had seen an eagle perched on a prickly pear, then Huitzilopochtli reigned in central Mexico just under 200 years. Cortez arrived in 1519, and by 1522, Tenochtitlan was destroyed.

According to the ancient world view that dates back to Genesis, the One God temporarily gave the lesser gods control over various nations. At Babel, when He scatters the peoples, there are 70 groups, corresponding to the 70 gods that traditionally composed God’s council in Ugaritic and Hebrew mythology. But the gods do a rotten job of leading their people. They tend to behave tyrannically, as do the human rulers who both serve and imitate them. Hints begin very early that one day, the gods’ time will be up. The One God will take back direct rule, not just of the Hebrews, but of all nations of the earth. Then all the nations will once again be His portion, His inheritance.

In the meantime, He lets them run, and things get very bad. When things get too bad in a nation, the One God often judges them. He brings that civilization to an end, usually by using another nation (equally wicked but not yet ready for their own judgement). Defeat in war was well known in the ancient world as a sign that our god had either abandoned us or been defeated by a foreign god. It was well known to the Hebrews as a sign that the One God had had enough of the way this lesser god, and these human kings, were running this nation.

Some nations got to go a very long time. Before the Israelites went into slavery in Egypt, the One God predicted that He would bring them to the land of Canaan four hundred years later — but not yet, “for the sin of the Amorites has not yet reached its full measure.” The Phoenicians, who would burn live babies to appease their god Moloch, got to go on with their wicked ways until Rome destroyed Carthage in 146 B.C. … a very long run indeed. Rome would have her turn many centuries later.

Using this scale, the reign of Huitzilopochtli was shockingly short. Less than two centuries … but what centuries they were! By the time judgement arrived in the person of Cortez, the Mexica were carrying out raids and wars farther and farther afield (almost to Guatemala) to feed the demand for prisoners whose hearts were ripped out of them and offered to Huitzilopochtli, now almost daily. The bodies were kicked down the steps of the temple. Depending upon the type of sacrifice, the arms and legs might later be eaten with some prickly pear on the side. The skulls were stored on massive skull racks. Aztec warriors moved up the ranks based upon how many prisoners they had captured for sacrifice. After a certain number, they were allowed to wear a mohawk. More captures, and they earned a cotton cloak, a necklace, a feathered headdress.

When Cortez and his men were fighting their way out of the city for the first time, astoundingly they managed to capture the temple, though it was covered in hundreds of very tough Aztec warriors. They then took the statue of Huitzilopochtli and hurled it down the temple steps … the very steps down which so many human bodies had been flung. Then, with heavy casualties, a few of them managed to escape the city. On the way back to their base among the Tlaxcalans, they fought battle after battle in which they were massively outnumbered. They should have perished dozens of times, but they didn’t. About a year later, Tenochtitlan was under siege and the Mexica, unable to keep up with death rate, began throwing the bodies of their fallen loved ones into the canals of the city. Hardened Spanish warriors couldn’t handle the smell when they entered the city. Nor could they stop their Tlaxcalan allies from slaughtering the Aztec civilians. God’s judgement on a 200-year orgy of bloodshed was a terrible thing to behold.

Today, Huitzilopochtli is an obscure name. Many people have heard of the Aztecs, and even of Quetzalcoatl, but the hummingbird of the south is not a name on everyone’s lips. He who once filled millions of people with terror has passed into obscurity. Now he’s a bit of trivia, a name known to experts on Mesoamerican history and archaeology only. Nor is Huitzilopochtli alone in this. He has joined the ranks of many gods, such as Moloch, Ishtar, Vesta, Cernunnos, and Tanit, who were once mighty in their lands and now are known only by people with a special interest in a particular corner of history. There are other gods, of course, whose names we do not know. We find a strangely shaped cultic object and we can only speculate. All of these lesser gods have become part of history. But everyone knows the name of Christ, the one Who sets the prisoners free. If someone wants to break into a strong man’s house and take his precious possessions, his people, one must first tie up the strong man.

R.I.P., Huitzilopochtli. You had a good run — 200 years — but beating hearts will be cut out and offered to you no more.

Let’s Learn Nahuatl

Nahuatl was the language spoken by the Aztecs. According to my source (see below), the Aztecs actually called themselves the Mexica. So, yes, the whole country is named for them. We call them Aztec after Aztlan, their name for their original homeland.

Here are some vocabulary words gleaned from my source. Most of them are names of places, rulers or gods:

tlalli = earth

Huitzilopochtli = the hummingbird of the left [hand]

Huitzilhuitl = hummingbird feather

Quetzalcoatl = green-feather serpent

Coatepec = hill of the serpent

Chapultepec = hill of the locust

Coatlicue = Huitzilpochtli’s mother (I don’t know the meaning of her name, but apparently some kind of serpent.)

Xiuhcoatl = serpent of fire (a weapon)

Itzcoatl = serpent of obsidian

Cihuacoatl = woman snake (title for an advisor to the ruler)

coatepantli = serpent wall

Chicomecoatl = seven serpent (i.e., corn)

Chicomoztoc = seven caves

Therefore:

chicom-  = seven (might have an underspecified vowel as its final sound)

coatl = serpent (l drops when followed by e)

huitzil = hummingbird

tepec = hill

Source: The Aztecs, by Brian M. Fagan, W.H. Freemand and Company, New York, 1984

The Best Latin Pun

Welcome back to school! At a teacher training event, I was shown this amazing four-way pun taken from the seal of St. John’s College.

“Facio Liberos ex Liberis Libris Libraque”

Facio = “I make”

Liberos = “free [men or people]

ex Liberis = “from children”

Libris Libraque = “by means of books and a scale”

The words books (libris) and scale (libra) are both in the Ablative. In this case it’s ablative of Instrument.

-que is an enclitic word for “and,” which means it leans on the end of the last item in the list.

If you want to remember that libra means scale, just think of this:

So, the whole motto is,

“I make free men from children with books and a scale.”

It sounds a lot better in Latin.

Quote: Who Needs Verbs? Not Agatha Christie!

Rhoda’s fete had passed off in the manner of fetes. Violent anxiety about the weather which in the early morning appeared capricious in the extreme. Considerable argument as to whether any stalls should be set up in the open, or whether everything should take place in the long barn and the marquee. Various passionate local disputes regarding tea arrangements, produce stalls, et cetera. Tactful settlement of same by Rhoda. Periodical escapes of Rhoda’s delightful but undisciplined dogs who were supposed to be incarcerated in the house, owing to doubts as to their behavior on this great occasion. Doubts fully justified! Arrival of pleasant but vague starlet in a profusion of pale fur, to open the fete, which she did very charmingly, adding a few moving words about the plight of refugees which puzzled everybody, since the object of the fete was the restoration of the church tower. Enormous success of the bottle stall. The usual difficulties about change. Pandemonium at teatime when every patron wanted to invade the marquee and partake of it simultaneously.

Agatha Christie, Pale Horse, pp. 56 – 57