Sobering

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I finally finished reading the abridged version of The Gulag Archipelago, by Aleksandr Solzhenitsyn. The abridged version is 470 pages long, and it still gives the impression that we are only scratching the surface of all that happened with the camp system in the century since the Russian Revolution. Solzhenitsyn himself writes with regret about the fact that his account is sadly incomplete:

Those whom I asked to take on particular chapters would not do so, but instead offered stories, written or oral, for me to use as I pleased. What we really needed was a well-staffed office. [But] not only could I not spread myself like this; I had to conceal the project itself, my letters, my materials, to disperse them, to do everything in deepest secrecy. I even had to camouflage the time I spent working on the book with what looked like work on other things.

I must explain that never once did this whole book, in all its parts, lie on the same desk at the same time! In September, 1965, when work on the Archipelago was at its most intensive, I suffered a setback: my archive was raided and a novel impounded. At this point the parts of the Archipelago were already written, and the materials for the other parts, were scattered, and never reassembled: I could not take the risk, especially when all the names were given correctly.

I have stopped work on the book not because I regard it as finished, but because I cannot spend any more of my life on it. Besides begging for indulgence, I want to cry aloud: When the time and the opportunity comes, gather together, all you friends who have survived and know the story well, and write your own commentaries … Only then will the book be definitive. God bless the work!

The full list of those without whom this book could not have been written, or revised, or kept safe cannot yet be entrusted to paper. They know who they are. They have my homage.

pp. 469 – 472

No Triumph Here

There are many words that could be used to describe the experience of reading this book. Horrifying, overwhelming, and in parts, inspiring. But I have chosen sobering because that is the overall impression that it left with me. No book about the systematic arrest, imprisonment, degradation, and murder of millions of people — and the suppression of their stories — can end on a triumphant note. Even when the triumph that has happened is that their stories have finally been told:

We could not foresee what it would be like: how for no visible compelling reason the earth would shudder and give, how the gates of the abyss would briefly, grudgingly part so that two or three birds of truth would fly out before they slammed to, to stay shut for a long time to come. So many of my predecessors had not been able to finish writing, or to preserve what they had written, or to crawl or scramble to safety — but I had this good fortune: to thrust the first handful of truth through the open jaws of the iron gates before they slammed shut again.

Like matter enveloped by antimatter, it exploded instantaneously!

Only too rarely do our fellow countrymen have a chance to speak their mind … and former prisoners still more rarely. Their faith had proved false, their hopes had been cheated so often — yet now they believed that the era of truth was really beginning, that at last it was possible to speak and write boldly!

And they were disappointed, of course, for the hundredth time …

When Krushchev, wiping the tear from his eye, gave permission for the publication of [my novel about the gulags] Ivan Denisovich, he was quite sure that it was about Stalin’s camps, that he had none of his own.

I myself was taken by surprise when I received a stream of letters — from present-day zeks [prisoners]. These letters, too, were a single many-throated cry. But a cry that said, “What about us!!??” And the zeks set up a howl: What do you mean, never happen again? We’re here inside now, and our conditions are just the same!

“Nothing has changed since Ivan Denisovich’s time” — the message was the same in letters from many different places. “Any zek who reads your book will feel bitterness and disgust because everything is just as it was.” “What has changed, if all the laws providing for twenty-five years’ imprisonment issued under Stalin are still in force?”

After reading all these letters, I who had been thinking myself a hero saw that I hadn’t a leg to stand on: in ten years I had lost my vital link with the Archipelago.

pp. 451 – 453

Human Psychology is Universal

Though I have never lived under an oppressive socialist regime, many parts of this book felt familiar because human psychology is the same. For example, in an early chapter Solzhenitsyn describes how common it was for people to be arrested because they had been accused or betrayed by a jealous spouse. A man secretly accuses another man who he suspects is having an affair with his wife. A wife accuses her husband so she can get rid of him and live with her lover. This is the same phenomenon we now see on campuses where bitter exes will use the university’s sexual-harassment reporting system to take revenge on each other. And it’s not just about women vs. men: I recently saw a case where a lesbian used it to take down her ex, who happened to be a professor, after the relationship went sour. The problem is that when you set up a bureaucratic “justice” system that can be easily used to ruin people, the temptation to use it on your personal enemies is almost overwhelming.

Here are some other things that felt oddly familiar: When Solzhenitsyn’s book A Day in the Life of Ivan Denisovich came out, the Soviet newspapers grudgingly praised it: “an explosion of newspaper articles — written with gritted teeth, with ill-concealed hatred and resentment: an explosion of official praise that left a sour taste in my mouth” (p. 451). This, in turn, caused former prisoners to assume that the book was not an actual expose, but rather “controlled opposition” put out by the regime as more propaganda.

“The prolonged absence of any free exchange of information within a country opens up a gulf of incomprehension between whole groups of the population, between millions and millions. We simply cease to be a single people, for we speak, indeed, different languages.” (p. 432)

The mildest and at the same time most widespread form of betrayal was not to do anything bad directly, but just not to notice the doomed person next to one, not to help him, to turn away one’s face, to shrink back. They had arrested a neighbor, your comrade at work, or even your close friend. You kept silence. You acted as if you had not noticed. (For you could not afford to lose your current job!) And then it was announced at work, at the general meeting, that the person who had disappeared the day before was … an inveterate enemy of the people. And you, who had bent your back beside him for twenty years at the same desk, now by your noble silence (or even by your condemning speech!), had to show how hostile you were to his crimes.

p. 323

May God Prepare Our Hearts

Because if we ever face anything like this, our own character will be our downfall.

Those people became corrupted in camp who had already been corrupted out in freedom or who were ready for it. Because people are corrupted in freedom too, sometimes even more effectively than in camp.

If a person went swiftly bad in camp, what it might mean was that he had not just gone bad, but that that inner foulness which had not previously been needed had disclosed itself.

Yes, camp corruption was a mass phenomenon. But not only because the camps were awful, but because in addition we Soviet people stepped upon the soil of the Archipelago spiritually disarmed …

p. 319

When people express vexation, in my presence, over the West’s tendency to crumble, its political shortsightedness, its divisiveness, its confusion — I recall too: “Were we, before passing through the Archipelago, more steadfast? Firmer in our thoughts?”

And that is why I turn back to the years of my imprisonment and say, sometimes to the astonishment of those about me: “Bless you, prison!”

p. 313

Quote: A Liar Telling the Truth

Chad smiled a sad, pastoral smile. Rourke looked at him, sympathetically impressed. Man, this guy was good. But Rourke had been on the force for many years, and he was just as good. Rourke tightened the muscles in his jaw. That man across the desk is telling the truth for now, just this moment. But he is a liar telling the truth, and it almost suits him.

So Rourke just sat and watched admiringly. Chad chose his words with care, but with a carefree care. Everything was parsed, but it looked as though it was spontaneously lying about. Shabby chic.

Evangellyfish, by Douglas Wilson, p. 49

Quote: Survive!

One’s own order to oneself, “Survive!”, is the natural splash of a living person. Who does not wish to survive? Who does not have the right to survive? Straining all the strength of our body! An order to all our cells: Survive! …

They lead thirty emaciated but wiry zeks [=prisoners] three miles across the Arctic ice to a bathhouse. The bath is not worth even a warm word. Six men at a time wash themselves in five shifts, and the door opens straight into the subzero temperature, and four shifts are obliged to stand there before or after bathing — because they cannot be left without convoy. And not only does none of them get pneumonia. They don’t even catch cold. (And for ten years one old man had his bath just like that, serving out his term from age fifty to sixty. But then he was released, he was at home. Warm and cared for, he burned up in one month’s time. That order — “Survive!” — was not there. …)

But simply “to survive” does not yet mean “at any price.” “At any price” means : at the price of someone else.

The Gulag Archipelago, by Aleksandr Solzhenitsyn, p. 302

Something to Chew On

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You thought, as a boy, that a mage is one who can do anything. So I thought, once. So did we all. And the truth is that as a man’s real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing, but does only and wholly what he must do …

from A Wizard of Earthsea, by Ursula Le Guin

Quote: Through Every Human Heart

Where did this wolf-tribe [of KGB torturers] appear from among our people? Does it really stem from our own roots? Our own blood?

It is our own.

And just so we don’t go around flaunting too proudly the white mantle of the just, let everyone ask himself: “If my life had turned out differently, might I myself not have become just such an executioner?”

It is a dreadful question if one really answers it honestly.

So let the reader who expects this book to be a political expose slam its covers shut right now.

If only it were all so simple! If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them. But the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?

During the life of any heart this line keeps changing place; sometimes it is squeezed one way by exuberant evil and sometimes it shifts to allow enough space for good to flourish.

Confronted by the pit into which we are about to toss those who have done us harm, we halt, stricken dumb: it is after all only because of the way things worked out that they were the executioners and we weren’t.

From good to evil is one quaver, says the proverb.

And correspondingly, from evil to good.

Aleksandr Solzhenitsyn, The Gulag Archipelago, abridged version, from pp. 73, 74, 75

Prescient Quote of the Week

Applies equally well to 2021 as to this kid’s situation.

And, of course, it’s by The Klavan.

I tried to think. It wasn’t easy. My mind felt like a jigsaw puzzle with all the pieces scrambled. The bright clarity of those moments before I’d been put up against the church wall — that was totally gone. I had left the bright moment of my death behind and was back in life, back in the world. And the world, let me tell you, was a mess, absolute confusion.

For another half second or so, I continued to sit there in my stunned stupidity. Everything had changed so quickly, I was still having a hard time taking it in. I mean, one second you’re standing against the wall in front of a firing squad, suddenly realizing that life is beautiful and that you should’ve appreciated everything more and been kinder to everyone — and the next second you’re rattling around in the back of a van, racing to get out of town. And suddenly life isn’t beautiful at all! It’s nuts! Everything’s wild and confusing around you …

Andrew Klavan, If We Survive, pp. 121-2, 125

A Light, Crunchy Snack of a Space Opera

Keltie Sheffield is a real estate agent. In space. About two thousand years after humanity has learned to take to the stars. She sells planets like you would sell a house, but with a 200-year mortgage, paid off by the buyer’s great-grandchildren. She sells this one planet, which she thinks is uninhabited, but … you can imagine how that could possibly go wrong.

Also, she’s a young career gal who chose this path to spite her parents. Lost in space, she’s rescued by an adorable, gentlemanly military reservist named Grayson, and … you can imagine the possibilities.

At 162 pages, Phantom Planet is light, crisp, and refreshing, sort of like eating a handful of cucumber slices, maybe with a little tzatziki. Also like that, it goes quickly, and sort of feels like it was written quickly. I finished it in about one day. Also like the cucumber, it is really tasty (i.e. fun) and digestible, but it feels like just the appetizer. I got the feeling this book was the setup for a much larger epic. Which it is, as it is one in a planned series called “Galaxy Mavericks.” Maybe it’s because I’ve been reading so many bricks lately, but it felt like just a first chapter.

One more cucumber comparison: this book is very clean. There is plenty of budding chemistry between Keltie and Grayson, but spoiler alert: they don’t even manage to kiss. At least not in this book.

Fun Moments

There were a ton of fun and charming moments. I am pretty sure the author gave himself a cameo (as a bookseller, naturally), and I’m now wondering whether he does this in all his books. Also, the scientific disclaimer at the beginning is delightful: “OK, pretty much every area of science probably got bastardized in some way while I wrote this book. Any and all errors were made lovingly for your reading enjoyment.” Gosh, I wish I’d thought of that line!

The food and fashion in Phantom Planet still retain many influences from Earth circa 2020. Keltie enjoys wine and chocolate croissants, for example. The women wear jewelry, which women have always loved to do, but you seldom see it in most space settings. (And why don’t more space opera characters get drunk in space? That seems like such a human thing to do, but this is the first time I can remember encountering it.) And, despite thousands of years of technology advancing, human beings are pretty much the same: there are still phishing scams!

One more thing that it may surprise you to see someone do in space: pray. “Prayer was always important in space. It kept things in perspective for her. A lot of people forgot that and often got carried away” (page 39). And no, this is not just meditation: Keltie is “thanking God,” and she wears a cross necklace. This element is kept very low-key, but it is so refreshing to find in a genre that often assumes that people, in the course of discovering that distant galaxies and alien races exist, will have “discovered” that God doesn’t. Space travel (even in this series, where it’s comparatively easy) is so dangerous, full of wonders, and above all disorienting that we can imagine that prayer would be a very human response and an excellent way to keep one’s sanity. Yet it is missing from so many books in this genre which, consciously or not, wish to portray human nature as mutable.

But What Does She Look Like?

Besides the “this is just the first chapter,” slightly less-than-satisfying feel of this book, which I understand because it’s part of a series, one minor thing bothered me.

We are given physical descriptions of nearly all the major characters, including Grayson, Keltie’s boss, her flight crew, her clients, and her best friend. We are not given a physical description of Keltie. Being able to picture the characters is important to me, so I just imagined her looking like a women from the cover of another La Ronn book I had seen (which is in a completely different genre). About 3/4 of the way through, we are finally told that Keltie has very long hair. Then that her sister is “blonde-haired and skinny and unlike [Keltie] in every way” (p.134). So, Keltie apparently is stout or curvy, with long, dark hair. I still don’t know what color her eyes are.

Maybe this issue is not important to any reader but me. (Maybe it’s even a trend. Is there some rule that we are not supposed to describe the point-of-view character, so that readers can picture that character however they like? I’m asking because I recently read a different book that made this same omission.) As for me, I take cover art very seriously as a clue to how the characters look, and I dislike having to guess and/or revise my mental image of the character partway through. (Especially if you are going to introduce a romance as a subplot.) Please, fellow authors, when you first introduce a character, give us a quick physical sketch, even if it’s just one or two outstanding physical features that can act as a peg to build our mental image on. I’m not saying you have to do the scene where the character looks at herself in the mirror (though if she DOES happen to look in a mirror, and you don’t tell me anything about what she sees, I’m going to be miffed). Just throw me a bone here.

Now … Go Eat Some Cucumber!

Other than those minor quibbles, this was an enjoyable book. There were lots of questions left unanswered that make me want to get the next one. If you like space operas and are looking for a new series to gobble up, check out Michael La Ronn’s Galaxy Mavericks! This would be a good series for libraries to carry because readers will speed through the books and check them out one after the other.